The strong and emphatic tone of Canon Pascal's words brought great consolation to Phebe's troubled mind. She might keep silence with a good conscience, for the duty of disclosing all to Canon Pascal arose simply from the possibility that his conduct would be altered by this further knowledge of Roland and Felicita. "But this easy country life is not good for Felix," she said in a more cheerful tone; "he needs a difficult parish to develop his energies. It is not among your people he will become a second Felix Merle." "Patience! Phebe," he answered, "there is a probability in the future, a bare probability, and dimly distant, which may change all that. He may have as much to do as Felix Merle by and by." Phebe returned to her work in London with a somewhat lighter heart. Yet the work was painful to her; work which a few months before would have been a delight. For Felicita, yielding to the urgent entreaties of Felix and Hilda, had consented to sit for her portrait. She was engaged in no writing, and had ample leisure. Until now she had resisted all importunity, and no likeness of her existed. She disliked photographs, and had only had one taken for Roland alone when they were married, and she could never bring herself to sit for an artist comparatively a stranger to her. It was opposed to her reserved and somewhat haughty temperament that any eye should scan too freely and too curiously the lineaments of her beautiful face, with its singularly expressive individuality. But now that Phebe's skill had been so highly cultivated, and commanded an increasing reputation, she could no longer oppose her children's reiterated entreaties. Felicita was groping blindly for the reason of the change in Phebe's feeling towards her, for she was conscious of some vague, mysterious barrier that had arisen between her and the tender, simple soul which had been always full of lowly sympathy for her. But Phebe silently shrank from her in a terror mingled with profound, unutterable pity. For here was a secret misery of a solitary human spirit, ice-bound in a self-chosen isolation, which was an utter mystery to her. All the old love and reverence, amounting almost to adoration, which she had, offered up as incense to some being far above her had died away; gone also was the child-like simplicity with which she could always talk to Felicita. She could read the pride and sadness of the lovely face before her with a clear understanding now, but the lines which reproduced it on her canvas were harder and sterner than they would have been if she had known less of Felicita's heart. The painting grew into a likeness, but it was a painful one, full of hidden sadness, bitterness, and infelicity. Felix and Hilda gazed at it in silence, almost as solemn and mournful as if they were looking on the face of their dead mother. She herself turned from it with a feeling of dread.