visionary, these and many other ghosts, we must begin, like Le
Loyer, by rejecting. These witnesses have too much cerebral
activity at the wrong time and place. They start their
hallucinations from the external terminus, the unhealthy organ of
sense; from the morbid central terminus; or from some dilapidated
cerebral station along the line. But, when we have, in a sane man's
experience, say one hallucination whether that hallucination does,
or does not coincide with a crisis in the life, or perhaps with the
death of the person who seems to be seen, what are we to think? Or
again, when several witnesses simultaneously have the same
hallucination,--not to be explained as a common misinterpretation of
a real object,--what are we to think? This is the true question of
ghosts and wraiths. That apparitions, so named by the world, do
appear, is certain, just as it is certain that visionary rats appear
to drunkards in delirium tremens. But, as we are only to take the
evidence of sane and healthy witnesses, who were neither in anxiety,
grief, or other excitement, when they perceived their one
hallucination, there seems to be a difference between their
hallucinations and those of alcoholism, fanaticism, sorrow, or
anxiety. Now the common mistakes in dealing with this topic have
been to make too much, or to make too little, of the coincidences
between the hallucinatory appearance of an absent person, and his
death, or some other grave crisis affecting him. Too little is made
of such coincidences by Dr. Hibbert, in his Philosophy of
Apparitions (p. 231). He 'attempts a physical explanation of many
ghost stories which may be considered most authentic'. So he says,
but he only touches on three, the apparition of Claverhouse, on the
night of Killiecrankie, to Lord Balcarres, in an Edinburgh prison;
the apparition of her dead mother to Miss Lee, in 1662; and the
apparition of his wife, who had born a dead child on that day in
England, to Dr. Donne in Paris, early in the seventeenth century.
Public-domain text, read in full here on John Shaqi.
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