I don't like those gods.
I never cared for them. But, as for Much,
Much is the best of all the merry men.
And, mistress, O, he speaks so beautifully,
It _might_ be just an Echo from blue hills
Far, far away! You see he's quite a scholar:
Much, more an' most (That's what he calls the three
Greasy caparisons--much, more an' most)!
You see they thought that being so very small
They could not make him grow to be a man,
They'd make a scholar of him instead. The Friar
Taught him his letters. He can write his name,
And mine, and yours, just like a missal book,
In lovely colours; and he always draws
The first big letter of JENNY like a tree
With naked Cupids hiding in the branches.
Mistress, I don't believe you hear one word
I ever speak to you! Your eyes are always
That far and far away.
MARIAN
I'm listening, Jenny!
JENNY
Well, when he draws the first big M of yours,
He makes it like a bridge from earth to heaven,
With white-winged angels passing up and down;
And, underneath the bridge, in a black stream,
He puts the drowning face of the bad Prince
Holding his wicked hands out, while a devil
Stands on the bank and with a pointed stake
Keeps him from landing--
Ah, what's that? What's that?
MARIAN
O Jenny, how you startled me!
JENNY
I thought
I saw that same face peering thro' the ferns
Yonder--there--see, they are shaking still.
[_She screams._]
Ah! Ah!
[_PRINCE JOHN and another man appear advancing across the
glade._]
JOHN
So here's my dainty tigress in her den,
And--Warman--there's a pretty scrap for you
Beside her. Now, sweet mistress, will you deign
To come with me, to change these cheerless woods
For something queenlier? If I be not mistaken,
You have had time to tire of that dark cave.
Was I not right, now? Surely you can see
Those tresses were not meant to waste their gold
Upon this desert. Nay, but Marian, hear me.
I do not jest.
[_At a sign from MARIAN, JENNY goes quickly inside the cave._]
That's well! Dismiss your maid!
Warman, remove a little.
[_His man retires._]
I see you think
A little better of me! Out in the wood
There waits a palfrey for you, and the stirrup
Longs, as I long, to clasp your dainty foot.
I am very sure by this you must be tired
Of outlawry, a lovely maid like you.
[_He draws nearer._]
MARIAN
Wait--I must think, must think.
JOHN
Give me your hand!
Why do you shrink from me? If you could know
The fire that burns me night and day, you would not
Refuse to let me snatch one cooling kiss
From that white hand of yours.
Public-domain text, read in full here on John Shaqi.
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