Collected writings of Clarence Edwin Flynn, first series : $b 1929 and earlierFlynn, Clarence Edwin
Religion
Collected writings of Clarence Edwin Flynn, first series : $b 1929 and earlier
Flynn, Clarence Edwin
American literature -- 20th century; Christian literature; Didactic literature
For him mere conventionalities had no terrors. When the law of established
custom seemed just and sufficient, he observed it. When it did not, he
became a law unto himself. He placed the claims of life, right, and truth
in a place of supremacy over all other claims. One of his pupils,
Ferdinand Ries, once attempted to convince him of the impropriety of
certain use he had made of consecutive fifths in one of his compositions.
During the discussion Ries called attention to a number of composers who
had forbidden their use in the manner under discussion. When Ries had
finished, Beethoven replied with spirit, “And they have forbidden them!
Well, I allow them.”
As has been said, self-reliance was one of the strongest elements in his
nature. At one time, Moscheles, the Austrian composer, prepared a piano
arrangement of Beethoven’s “Fidelio” and sent it to him with the
inscription “With God’s help” written upon it. When it came back to the
hand of Moscheles, he found that the master had written upon it the reply,
“O man, help thyself.”
He possessed of a genial nature and a happy sense of humor. When a music
student in Vienna, he had three teachers at the same time, each one of
whom was a great name in music. Under one of them, Schuppanzigh, he
studied violin. His relations with this instructor were especially
pleasant—more so than those which prevailed between him and at least one
of the others. As time passed, the teacher revealed an increasing
tendency to corpulence, whereupon Beethoven took up the habit of
addressing him as “My Lord Falstaff.”
A high appreciation of purely personal qualities was a part of Beethoven’s
makeup. To him these constituted the only true fortune. He had a brother,
Johann, who had become wealthy, and whose worldly success had acted so
unfortunately upon his nature that his pride and arrogance had become
somewhat unduly swollen. One day this brother called on the composer and
did not find him at home. He left a card bearing this inscription,
“Johann van Beethoven, Land Proprietor.” Upon returning home and receiving
the card, the musician promptly returned it to his brother with the added
words, “Ludwig van Beethoven, Brain Proprietor.”
On another occasion, a stranger mistook the word Van in his name for the
common sign of nobility. When addressed as a nobleman, he revealed his
true spirit of democracy by laying his hand first upon his head and then
upon his heart and replying that whatever claim to nobility he had lay at
those two points.
Public-domain text, read in full here on John Shaqi.
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