Collected writings of Clarence Edwin Flynn, first series : $b 1929 and earlierFlynn, Clarence Edwin
Religion
Collected writings of Clarence Edwin Flynn, first series : $b 1929 and earlier
Flynn, Clarence Edwin
American literature -- 20th century; Christian literature; Didactic literature
Demosthenes was born with a faulty utterance and with a hollow chest.
Nevertheless, he conceived a great desire to be an orator. Most men would
have found their physical unfitness a sufficient handicap to discourage
them from any effort. Demosthenes determined to overcome the hindrances
which had been born with him. He sought a remote and secluded place,
shaved his head in order that he might not soon venture back among his
friends, and exercised his voice and body until the weakness of both had
been overcome. All the world is familiar with the final results of
his efforts.
On the day when Demosthenes was uttering the amazing words which so
tellingly advocated his right to receive a crown at the hands of his
fellow citizens, the explanation of his achievement did not lie in his
birth. It lay rather in the fact that he had willed to overcome the
limitations with which nature had surrounded him. It is true that he had
seized a psychological moment, but he was able to seize that moment
because he had not feared the long period of painstaking effort which had
been necessary to overcome his handicaps. The secret of his success was
not opportunity, but toil. He had merely refused to surrender to the
forces which would have destroyed the usefulness of many men. His triumph
was but the result of a task patiently performed in spite of
its difficulty.
During the last century, Spain produced a remarkable artist in the person
of Daniel Vierge. He attained eminence in his work while still a young
man. At the early age of thirty, however, he suffered complete paralysis
of the right side. It would have been easy to have admitted that his work
with the brush and pencil was done, and to have resigned himself to what
seemed to be a hard fate. Such was not his spirit, however. He had no
intention of relinquishing the tools of his art. He still had the use of
his left arm, and he determined that it should be trained to possess the
power which the other had lost.
The long and tedious period of training had to be gone through again. He
accomplished his task, however, and in spite of the difficulty which he
had encountered he learned to draw nearly as well with his left hand as
he had ever been able to do with the other. By making the most of the one
resource which was left to him, he managed to retain his place in the
front rank of his profession as an illustrator. The work which he produced
after his affliction can scarcely be distinguished in quality from his
earlier efforts.
Public-domain text, read in full here on John Shaqi.
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