Collected writings of Clarence Edwin Flynn, first series : $b 1929 and earlierFlynn, Clarence Edwin
Religion
Collected writings of Clarence Edwin Flynn, first series : $b 1929 and earlier
Flynn, Clarence Edwin
American literature -- 20th century; Christian literature; Didactic literature
Our fathers used to have a phrase in their prayers that expressed this
idea. They used to say: “Lord, we thank Thee that it is as well with us
as it is.” That old prayer, so often on their lips, is worth repeating
each time we come to the Throne of Mercy and Grace. How much worse things
might have been than they are! God has blessed us with incalculable good.
He has also preserved us from incalculable evil. Let us not forget to
praise him for the storms that did not break, the tears that did not fall,
the problems that did not arise, the disappointments we did not suffer,
the heartaches we did not feel, the blossoms that did not wither, the
hopes that were not shattered, and the graves that were not made.
The Redemption of Jean Valjean (1922)
Among all the characters of fiction, Victor Hugo’s Jean Valjean stands
out in a light of special distinction. The author intended him to indicate
the limiting influence of social law and custom. However, he accomplishes
a much better thing than that. He furnishes us a master picture of the
upward struggle of a soul despite the influences acting within and without
to keep it down. In certain broad and general features, the redemption of
Jean Valjean is a picture of the redemption of any person in any place
or time.
The opening chapters of the story of _Les Miserables_ reveal a man with
sullen features, suspicious eyes, and unkempt appearance, entering the
town of D. at evening time. He has just escaped from nineteen years in the
galleys. His crime was a serious one. He thrust his hand through a baker’s
window, and stole a loaf of bread to feed the hungry children of his poor
sister. Nineteen years at the oars have been the expiation of this and his
various efforts to escape. He is now a fugitive, forever branded a
criminal by society. The law pursues him. Every man’s hand is against him.
Turned with suspicion from every other place of entertainment, he is
finally received in the home of an aged priest—the first stranger who has
ever trusted him. He yields to his criminal propensity, cultivated by his
years in the galleys, and steals away in the night with the
bishop’s silver.
On the way, he meets a little savoyard, and robs him of his scanty store
of money. The helplessness of the child touches him. Remorse lays hold of
him. He sits down upon a stone and weeps. Restoring the bishop’s silver,
he kneels in prayer at the gate. In a word, Jean Valjean has found
himself. He has taken the first step on the road to better things by
seeing himself as he is. An angel has held a mirror before his face, and
in it he has beheld himself aright.
Public-domain text, read in full here on John Shaqi.
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