Collected writings of Clarence Edwin Flynn, first series : $b 1929 and earlierFlynn, Clarence Edwin
Religion
Collected writings of Clarence Edwin Flynn, first series : $b 1929 and earlier
Flynn, Clarence Edwin
American literature -- 20th century; Christian literature; Didactic literature
In the story of Gwynplaine two things stand out supremely. The first is
the power and significance of a smile that could not come off. The second
is the supreme importance and sacredness of humanity.
The smile that could not come off was written upon his countenance with a
knife. Gwynplaine was the son of an English nobleman. Stolen when a baby
by a band of wandering showmen, he was trained for exhibition. They
operated upon his helpless baby features and shaped them into a perpetual
grin. From that day forth, no matter what were the feelings within him or
the outlook in the path ahead of him, he carried a laughing face. He had
been fashioned into a curiosity, but in some ways a very wholesome kind
of curiosity.
Had the story of Gwynplaine never done more than to remind the world of
the value of laughter, it would have served its time and purpose well. No
generation can well get on without those who make it their business to
keep the smiles alive on the faces of the people. The world may laugh at
them and pass them by as clowns, but the ages will have to honor them for
having kept weary hearts hopeful when everything seemed to be crumbling
away beneath them.
The place of the humorist in literature is sometimes placed at a discount,
but not properly so. The maker of fun whose humor was clean and genuine is
a benefactor of his age, not to say a minister of righteousness. The hand
of Justice lays an unfading wreath of honor upon the grave of the man who
has helped to keep the world glad. He has planted roses where otherwise
there would have been only thorns. He has scattered beauty and light where
otherwise the shadows would have been left to reign supreme.
One of the chief points in the story of Gwynplaine, however, was the fact
that his smile was permanent and unfading. It was written indelibly upon
his features and could be affected by no tempest either of joy or pain.
His soul might be weary and his courage dead, but the world could never
find it out by looking at his face. However often he may have been a
troubled man, through it all he was a laughing man.
It is all well enough to smile when one is gay, but the real hero is the
one who keeps on smiling after the world has turned blue before his gaze.
Anyone can look happy when he _is_ happy, but only the unusual man
can keep a merry countenance when hopes die, ties are sundered, dreams
crash in shattered fragments, and the rich promises of life prove to have
been empty mirages of vain expectation. The smile “that cannot come off”
is the smile worth while.
The happiest-faced woman I ever knew was one whose life story would cast
a tremor of dread upon any company. She had faced her floods of sorrow,
had shed her tears, and then had come off with the victory of an undying
cheerfulness which never inflicted upon another the troubles which had
been hers.
Public-domain text, read in full here on John Shaqi.
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