Collections and RecollectionsRussell, George William Erskine
History
Collections and Recollections
Russell, George William Erskine
England -- Social life and customs -- 19th century
It was "A.K.H.B.," if I recollect aright, who wrote a popular essay on
"The Art of Putting Things." As I know nothing of the essay beyond its
title, and am not quite certain about that, I shall not be guilty of
intentional plagiarism if I attempt to discuss the same subject. It is
not identical with the theme which I have just handled, for "Things one
would rather have expressed differently" are essentially things which
one might have expressed better. If one is not conscious of this at the
moment, a good-natured friend is always at hand to point it out, and the
poignancy of one's regret creates the zest of the situation. For
example, when a German financier, contesting an English borough, drove
over an old woman on the polling-day, and affectionately pressed five
shillings into her hand, saying, "Never mind, my tear, here's something
to get drunk with," his agent instantly pointed out that she wore the
Blue Ribbon, and that her husband was an influential class-leader among
the Wesleyans.
But "The Art of Putting Things" includes also the things which one might
have expressed worse, and covers the cases where a dexterous choice of
words seems, at any rate to the speaker, to have extricated him from a
conversational quandary. As an instance of this perilous art carried to
high perfection, may be cited Abraham Lincoln's judgment on an
unreadably sentimental book--"People who like this sort of thing will
find this the sort of thing they like"--humbly imitated by two eminent
men on this side of the Atlantic, one of whom is in the habit of writing
to struggling authors--"Thank you for sending me your book, which I
shall lose no time in reading;" while the other prefers the less
truthful but perhaps more flattering formula--"I have read your blank
verse, _and much like it_"
The late Mr. Walter Pater was once invited to admire a hideous
wedding-present, compact of ormolu and malachite. Closing his eyes, the
founder of modern aesthetics leaned back in his chair, and waving away
the offending object, murmured in his softest tone, "Oh, very rich, very
handsome, very expensive, I am sure. But they mustn't make any more of
them."
Public-domain text, read in full here on John Shaqi.
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