Collections and RecollectionsRussell, George William Erskine
History
Collections and Recollections
Russell, George William Erskine
England -- Social life and customs -- 19th century
As incidentally indicated above, a free recourse to alcoholic stimulus
used to be, in less temperate days, closely associated with the culinary
art; and one of the best cooks I ever knew was urged by her mistress to
attend a great meeting for the propagation of the Blue Ribbon, to be
held not a hundred miles from Southampton, and addressed by a famous
preacher of total abstinence. The meeting was enthusiastic, and the Blue
Ribbon was freely distributed. Next morning the lady anxiously asked her
cook what effect the oratory had produced on her, and she replied, with
the evident sense of narrow escape from imminent danger, "Well, my lady,
if Mr. ---- had gone on for five minutes more, I believe I should have
taken the Ribbon too; but, thank goodness! he stopped in time."
So far, I find, I have chiefly dealt with the Art of Putting Things as
practised by the "urbane" or town-bred classes. Let me give a few
instances of "pagan" or countrified use. A village blacksmith was
describing to me with unaffected pathos the sudden death of his very
aged father; "and," he added, "the worst part of it was that I had to go
and break it to my poor old mother." Genuinely entering into my friend's
grief, I said, "Yes; that must have been terrible. How did you break
it?" "Well, I went into her cottage and I said. 'Dad's dead.' She said,
'What?' and I said, 'Dad's dead, and you may as well know it first as
last.'" Breaking it! Truly a curious instance of the rural Art of
Putting Things.
A labourer in Buckinghamshire, being asked how the rector of the village
was, replied, "Well, he's getting wonderful old; but they do tell me
that his understanding's no worse than it always was"--a pagan synonym
for the hackneyed phrase that one is in full possession of one's
faculties. This entire avoidance of flattering circumlocutions, though
it sometimes produces these rather startling effects, gives a peculiar
raciness to rustic oratory. Not long ago a member for a rural
constituency, who had always professed the most democratic sentiments,
suddenly astonished his constituents by taking a peerage. During the
election caused by his transmigration, one of his former supporters said
at a public meeting, "Mr. ---- says as how he's going to the House of
Lords to leaven it. I tell you, you can't no more leaven the House of
Lords by putting Mr. ---- into it than you can sweeten a cart-load of
muck with a pot of marmalade." During the General Election of 1892 I
heard an old labourer on a village green denouncing the evils of an
Established Church. "I'll tell you how it is with one of these 'ere
State parsons. If you take away his book, he can't preach; and if you
take away his gownd, he mustn't preach; and if you take away his screw,
he'll be d----d if he'll preach." The humour which underlies the
roughness of countrified speech is often not only genuine but subtle. I
have heard a story of a young labourer who, on his way to his day's
Public-domain text, read in full here on John Shaqi.
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