[O] Transfer paper is more reliable.
If the transfer should exhibit any signs of weakness while the stone
is still covered with plain gum water, take, upon a small linen pad, a
little ink thinned either with tallow or a few drops of turpentine; by
careful rubbing in different directions the lines will be considerably
strengthened. Plenty of gum must be kept upon the surface of the stone
during this operation, at the completion of which it may be removed
with a sponge and water, and the inking-up completed with the roller
and the stone gummed in.
Before printing, the gum has to be removed by water, and the stone
rolled up with a moderately stiff ink; it is then etched with gum water
rendered slightly acid by a few drops of nitric acid. The best test for
the acidity of this solution is to add just so much acid to the gum
water that, after its application to the edge of the stone for two or
three seconds, scarcely perceptible bubbles of carbonic acid gas will
show. This is applied evenly to the drawing with a sponge, and allowed
to act for a few seconds.
Should the ink “take” to the stone in places other than the design or
writing, rub the spot at once with woollen material moistened with gum
water; this will clear away the superfluous ink, but the part should
be carefully watched during the printing for any recurrence. After the
removal of each impression the stone is damped over the whole surface
with a damping cloth before another application of the inking roller.
For the production of perfect impressions avoid contact of the hands
with the face of the paper or stone, and care must be exercised
that all matters connected with the printing are kept scrupulously
clean, any contamination of a fatty or greasy nature especially being
strenuously avoided. The paper used in lithographic printing is usually
slightly damped by placing between sheets of damp blotting paper; such
proceeding is not absolutely necessary, as dry sized paper may also be
used.
The above detailed description of the necessary sequence of operations
in the Autographic transfer process will assist in understanding that
of photo-lithographic transfer, which requires still more care, and the
use of a special transfer paper so prepared that it is sensitive to
light.
THE BITUMEN METHOD.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account