=The Inking Tables=, two in number, are provided one at either end of
the machine, necessitating two sets of inking rollers—one of leather
for applying the thick ink, and another of composition for supplying
the “half-tone,” the latter set requiring such light application
to the plate that no riders are required. There are also the usual
distributing rollers, to which the ink is generally supplied by the
printer as may be necessary, the quantity being so small that no
actually satisfactory automatic duct has yet been devised. A proper
adjustment of the consistency of the two inks to the requirements of
the plate in hand is a matter of considerable delicacy, for should
the ink supplied to the leather rollers be too thin it is immediately
removed from the printing plate by the composition rollers; these
again transfer it to the table devoted to the thin ink, and a general
“wash up” is the necessary result. The ink first supplied to the
leather rollers should be as stiff as possible, afterwards reducing as
experience may dictate, while to the composition or tone rollers merely
coloured varnish, or even varnish alone, is applied, as the latter
often remove enough colour from the printing plate to sufficiently
tint the varnish applied to their surface. The leather rollers should
be cleaned daily by scraping, and the composition set washed, unless
the weather be very cold or damp. In such cases they may be allowed to
stand under ink, as they will in that condition be less susceptible to
atmospheric changes.
=Double Printing= is sometimes resorted to for work of a high class,
and when negatives too thin to produce good results otherwise are
unavoidably used, such work is usually printed on chalk paper and
without masking. The printing plate is usually inked up twice and an
impression taken; without removing the impression from the cylinder the
plate is again twice inked and a second impression pulled on the same
piece of paper, the two images being exactly super-imposed. The great
gain in contrast will be understood when it is considered that while
the high lights of the picture gain absolutely nothing, the strength of
the shadows is exactly doubled. The results produced in this way are
simply astonishing when contrasted with silver prints from the same
negatives.
ADVERTISEMENTS.
HUGO KOCH,
LEIPZIG-CONNEWITZ, GERMANY,
MANUFACTURER OF
COLLOTYPE STEAM PRESSES.
Awarded First Prizes at all Exhibitions where our Presses have
competed.
—> World’s Exhibition, Antwerp, 1885, Diploma of Honour. <—
[Illustration]
THE
KOCH COLLOTYPE STEAM PRESS IS THE BEST IN THE MARKET
MADE IN FOUR SIZES.
AUTOMATIC FEED BOARD, FRISKET, AND INK DUCT.
If desired, the press can be arranged also for litho or type printing
Public-domain text, read in full here on John Shaqi.
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