Colonel Carter's Christmas and The Romance of an Old-Fashioned GentlemanSmith, Francis Hopkinson
General
Colonel Carter's Christmas and The Romance of an Old-Fashioned Gentleman
Smith, Francis Hopkinson
Christmas stories; Virginia -- Fiction
"Well, but what have we got to do with the bonds after we sell them?
We are not running the mine, we're only getting money for them to run
it on, and incidentally our commissions," and he smiled knowingly.
"The trust company does the same thing. This widow-and-orphan business
is about played out in the Street. The shrewdest buyers we have are
just these people, and they get their cent per cent every time. Don't
you bother your dear old head over this matter; just be glad it's
coming out all right--I am, I tell you!"
Gregg had risen from his chair and was standing over Philip with a
troubled look on his face.
"Phil," he said slowly, "look at me. From what you tell me, you can't
issue these bonds! You can't afford to do it--no honest man can!"
The young financier lay back in his chair and broke out into laughter.
"Old Gentleman," he said, as he reached up his hand and laid it
affectionately on Gregg's waistcoat--it was a pet name of his--"you
just stick to your brushes and paints and I'll stick to my
commissions. If everybody in the Street had such old-fashioned notions
as you have we'd starve to death. We've got to take risks, everybody
has. You might as well say that when a stock is going up and against
us we shouldn't cover right away to save ourselves from further loss;
or that when it's going down we shouldn't sell and saddle the other
fellow with the slump while we get from under. Now I'm going home to
tell Madeleine the good news; she's been on pins and needles for a
week."
Gregg began pacing the floor, his hands behind his back. His movements
were so unusual and his face bore so troubled a look that Philip, who
had thrown away his cigar and had picked up his hat preparatory to
leaving the room, delayed his departure.
Adam halted in front of him and now stood gazing into his face, an
expression on his own that showed the younger man how keenly he had
taken the refusal.
"I know I'm old-fashioned, Phil--I have a right to be. I come of
old-fashioned stock--so do you. All that you tell me of your father
convinces me that he was an upright man. He was severe at times, and
dominating, but he was honest. Your mother's purity and goodness shine
out here," and he pointed to the portrait. "This is your heritage, and
your only heritage--something that millions of money cannot buy, and
which you cannot sell, no matter what price is paid you for it. You,
their son"--Gregg stopped and hesitated, the words seemed to clog in
his throat--"must not--_shall not_!" (the way was clear now) "commit a
crime which would bring a blush to their cheeks if they were alive
to-day. Don't, I beseech you, my boy, lend your young manhood to this
swindle. It is infamous, it is damnable. It shall not--_cannot_ be.
You love me too well to refuse; promise me you will stop this whole
business."
Public-domain text, read in full here on John Shaqi.
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