Colonel Carter's Christmas and The Romance of an Old-Fashioned GentlemanSmith, Francis Hopkinson
General
Colonel Carter's Christmas and The Romance of an Old-Fashioned Gentleman
Smith, Francis Hopkinson
Christmas stories; Virginia -- Fiction
"No, don't speak. Hear me until I have finished. Only to save the boy
she loved would I lay bare my heart as I am going to do to you now.
Turn your head! Do you see that picture? I painted it some twenty-five
years ago; you were a child then, five years old. I was younger than
you are now; full of my art; full of the promise of life. Your
father's home was a revelation to me: the comfort of it, the servants,
the luxury, the warm welcome he gave me, the way he treated me, not as
a stranger, but as a son. A few days after I arrived he left me in
charge of his home. Your mother was three years younger than I was;
you were a little fellow tugging at her skirts.
"The four weeks that followed, while your father was away and I was
painting the portrait, were to me a dream. At the end of it I awoke in
torment. I had reached the fork in my road: one path lay to perdition,
the other to a suffering that has followed me all my life. Your father
was an austere man of about my own age now; it was not a happy
union--it was as if Madeleine and I should be married. Your mother,
girl as she was, respected and honored him and had no other thought
except her duty; I saw it and tried to comfort her. The day of your
father's return home he came up into the garret which had been turned
into a studio to see the portrait. The scene that followed has always
been to me a horror. He denounced her and me. He even went so far as
to say the picture was immodest because of the gown, and in his anger
turned it to the wall. You can see for yourself how unjust was that
criticism. He found out he was wrong and said so afterward, but it did
not heal the wound. Your mother was crushed and outraged.
"That night she came up to the studio and poured out her heart to me.
I won't go over it--I cannot. There was in her eyes something that
frightened me. Then my own were opened. Down in front of me lay an
abyss; around it were the two paths. All night I paced the floor; I
laid my soul bare; I pleaded; I argued with myself. I reasoned it out
with God; I urged her unhappiness--the difference in their ages; the
harshness of the older man; her patient submission. Then there rose up
before me the sterner law--my own responsibility; the trust placed in
my hands; her youth, my youth. Gradually the mist in my mind cleared
and I saw the path ahead. There was but one road: that I must take!
"When the dawn broke I lifted the portrait from where your father had
placed it with its face against the wall; kissed it with all the
reverence a boy's soul could have for his ideal, crept down the
stairs, saddled my horse and rode away.
Public-domain text, read in full here on John Shaqi.
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