“Not at all,” he said cheerfully. “Today I take my seat, as I've
arranged it, you see, over there with them, and watch 'em go through the
motions. One rehearsal's enough for ME. At the same time, I can chip in
if necessary.” And before she could reply he was out of the schoolhouse
again, hailing the new-comers. This was done with apparently such
delight to the children and with some evidently imported expression into
his smooth mask-like face, that Mrs. Martin had to content herself with
watching him with equal curiosity. She was turning away with a sudden
sense of forgotten dignity, when a shout of joyous, childish laughter
attracted her attention to the window. The new assistant, with half a
dozen small children on his square shoulders, walking with bent back and
every simulation of advanced senility, was evidently personating,
with the assistance of astonishingly distorted features, the ogre of a
Christmas pantomime. As his eye caught hers the expression vanished, the
mask-like face returned; he set the children down, and moved away. And
when school began, although he marshaled them triumphantly to the very
door,--with what contortion of face or simulation of character she was
unable to guess,--after he had entered the schoolroom and taken his seat
every vestige of his previous facial aberration was gone, and only his
usual stolidity remained. In vain, as Mrs. Martin expected, the hundred
delighted little eyes before her dwelt at first eagerly and hopefully
upon his face, but, as she HAD NOT expected, recognizing from the
blankness of his demeanor that the previous performance was intended for
them exclusively, the same eager eyes were presently dropped again upon
their books in simple imitation, as if he were one of themselves. Mrs.
Martin breathed freely, and lessons began.
Public-domain text, read in full here on John Shaqi.
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