Colonial Homes and Their FurnishingsNorthend, Mary Harrod
History
Colonial Homes and Their Furnishings
Northend, Mary Harrod
Architecture, Colonial; Furniture -- United States
The old-time metal played a prominent part in the first colonial
households in America, it being in many cases the only available ware,
but after a time, as the population and strength of the young colonies
increased, it had to give way, as in England, to the introduction and
steadily increasing popularity of china. During the seventeenth century
several English pewterers came to America to find employment, settling
principally in Boston, Salem, and Plymouth County, and during the
eighteenth century the manufacture of the ware here became quite common.
It is interesting to note that the greater part of the American-made
pieces bear the name of the maker.
English and Continental pewter was also extensively used here, and, in
consequence, American collections of the present include specimens from
these countries. Most of the pieces now preserved belong to the
eighteenth and early nineteenth centuries, though there are some few
pieces which are of earlier manufacture.
The value of pewter, like all other antiques, varies, and a piece is
really worth what one can obtain for it. In England, the highest prices
are paid for sixteenth-century pewter, while in our own country the
product of the eighteenth century is that most sought after, and the
best prices are paid for pieces of this period. Ecclesiastical pewter is
rare here, and therefore is valuable, but it does not hold such high
favor in the collector's regard as do the simple pieces that once graced
the quaint dressers in colonial homes.
The fad for pewter has been productive of much imitation ware. This is
especially true of certain types which are particularly popular, and,
indeed, were it not for this demand, it would hardly pay to imitate the
old metal, even at the prices now paid for the same. It costs
considerable to make up spurious bits that are almost entirely like the
old-time pieces, in composition, and, besides, they must be put through
several processes to make them look old. Consequently, it is safe to
assume that at the present time the number of imitation pieces on the
market is comparatively small, and in this country there are really few
pieces that are entirely counterfeit. To be sure, plain pieces of the
genuine metal are sometimes ornamented to increase their value, but
lately collectors seem to regard plain pieces with the greatest favor,
and this form of counterfeiting will no doubt soon disappear.
To-day, in America, there is one manufacturer, and perhaps more, who is
reviving some of the original forms and producing pewter reproductions
which are being put on the market as such. For the modern colonial
dining-room these are especially attractive, serving in every particular
the purpose of decoration, but to the collector they are of no interest.
Public-domain text, read in full here on John Shaqi.
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