Colonial Homes and Their FurnishingsNorthend, Mary Harrod
History
Colonial Homes and Their Furnishings
Northend, Mary Harrod
Architecture, Colonial; Furniture -- United States
Other spoons of great interest, although not so old as the earliest
Apostle spoons, are the curious little "caddy spoons," which came into
vogue with the first popularity of tea drinking more than two centuries
ago. The tea was at first kept in canisters, whose lids served as a
measure. Then came into use the quaint and dainty tea caddy, with its
two-lidded and metal-lined end compartments, and a central cavity to be
used as a sugar bowl. A favorite and poetic custom of the old sea
captains, upon visiting China, was to have their ships painted upon
China caddies by Chinese artists, as gifts for wives or sweethearts at
home.
Now since the sugar bowl was a part of the tea caddy, the use of the
caddy spoon or scoop became immediately popular. All of these spoons
have very short stems and handles, with bowls of fanciful design,
perforated, or shell-shaped, or fluted. A few were made like miniature
scoops, with handles of ebony; while others were perfect imitations of
leaves, the leaf stem curling around into a ring, to make the handle.
In this country, caddy spoons came into use after the Revolution. Until
very recently, they have been neglected by collectors, and were to be
bought at a low figure; but all that is changed, and the price is from
fifteen dollars upward in most cases, besides which the purchaser must
take his chances as to the genuine worth of his bargain, as many
imitations are being put upon the market. It is no proof of genuine
worth that the spoon may be bought in an antique shop on a quiet street
of some sleepy old seaport town. This is just the spot likely to be
chosen for perpetrating a fraud. The most common counterfeit is made by
joining a perfectly new bowl to the handle of a genuine Georgian
teaspoon that bears an irreproachable hallmark. The unusual length of
handle betrays the cheat, which can be further proved by the presence of
a flattened spot similar to a thumb print, where the bowl joins the
handle.
Still another fraudulent specimen has a false hallmark. These
counterfeits were probably made outside of this country, perhaps not
even in England. The hallmark is the stamp of a head that bears no
particular resemblance to George III, for whom it is possibly intended;
a lion that may, perhaps, be near enough in design to pass for the royal
British brute; and signs and letters, half-effaced, which, in
conjunction with the king's head and the lion, make up an imitation of
the Birmingham hallmark. Of course it would not deceive, for an instant,
the experienced buyer in a good clear light; but the shops are often
darkened to a kind of twilight, and the inexperienced amateur detects
nothing wrong about the spoon, which is usually made after some uncommon
and attractive style.
Public-domain text, read in full here on John Shaqi.
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