Colonial Homes and Their FurnishingsNorthend, Mary Harrod
History
Colonial Homes and Their Furnishings
Northend, Mary Harrod
Architecture, Colonial; Furniture -- United States
The first glass made was of a coarse type, crude in shape, and of
greenish coloring, with sand and bubbles showing on its surface,
detracting from its finish. Examples of this type are very scarce
to-day, bringing prices wholly at variance with their attractiveness. Up
to the eighteenth century, all glass was very expensive, making it
prohibitive to all but the wealthy classes, but since that time its cost
has been greatly reduced, and beautiful specimens, of exquisite design,
can now be purchased at prices within the means of almost every one. Of
course, these later specimens do not possess the quaintness of old-time
pieces, and to the collector they are of no interest whatever. The fad
of collecting has brought into favor the old types, and throughout the
country the regard for old glassware is constantly increasing, although
it will be some time before it comes into prominence here in the same
measure that it has in England.
[Illustration: PLATE LVII.--Venetian and English Decanters; Toddy
glasses, about 1800; English Glass with Silver Coasters. Very old.]
While the origin of glass is not definitely certain, yet specimens are
in existence which are known to have been made before the coming of
Christ, such as the celebrated Portland Vase, a Roman product, now seen
in the British Museum. After the decline of glass making in Rome, the
craft was gradually taken up in Venice and Bohemia, the output of the
former country ranking among the finest made, and including, among other
things, the exquisite Venetian drinking cups, which are unrivaled in
beauty.
[Illustration: PLATE LVIII.--Russian Glass Decanter and Tumblers; Note
the exquisite cutting on this Decanter.]
So important was the craft considered in these early times that
manufacturers received great attention from the government, were dubbed
"Gentlemen," and were looked upon with awe by the common people.
Naturally, great secrecy surrounded the plying of the craft, and this
secrecy led to the circulation of mysterious tales. One legend was that
the furnace fire created a monster called the salamander, and it was
firmly believed that at stated intervals he came out of the furnace, and
carried back with him any chance visitor. People who glanced fearfully
into the furnace declared that they saw him curled up at one side of his
fiery bed, and the absence of any workmen was at once attributed to this
monster's having captured him.
Public-domain text, read in full here on John Shaqi.
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