American fiction -- 19th century; Short stories, American
“The good God knows what He does. I built that house for my daughter,
and when it was built the good God took her away. We were mad with
grief, my wife and I; but that could not save her. Perhaps we are still
mad with grief,” the poor old man said simply. “We can think of
nothing else. We never wish to speak of anything else. We could not live
in the house—her house, without her. We never thought to let it. I
built that house for my daughter, I furnished it for her, and when it
was ready for her—she died. Was it not hard, Monsieur? How could I let
the house to strangers? But lately I have had losses. I am compelled
to let it, to pay my debts. I would not let it to everybody. You are an
Englishman. Well, if I did not like you, I would not let it to you for
a million English pounds. But I am glad I have let it to you. You will
respect her memory. And you will allow us to keep that room—her room.
We shall be able to keep it as it was, with her things in it. Yes, that
room which you thought was occupied—that was my daughter’s room.”
Madame Leroux was waiting for us in the garden of the chalet. She looked
anxiously up at her husband as we arrived. He nodded his head, and
called out, “It is all right. Monsieur agrees.”
The old woman took my hands, wringing them hysterically almost. “Ah,
Monsieur, you are very good,” she said. She raised her eyes to mine.
But I could not look into her eyes. There was a sorrow in them, an
awfulness, a sacredness of sorrow, which, I felt, it would be like
sacrilege for me to look at.
Public-domain text, read in full here on John Shaqi.
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