American fiction -- 19th century; Short stories, American
If she likes you, if you amuse her, and if you never remotely oppose or
question her desire of the moment, she can be all that is most
gracious, most reasonable, most captivating: an inspiring listener, an
entertaining talker: mingling the naïveté, the inexperience of evil,
the half comical, half appealing unsophistication, of a girl, of a child
almost—of one who has always lived far aloof from the struggle and
uncleanness of the workaday world—with the wit, the humour, the
swift appreciation and responsiveness of an exceedingly impressionable,
clear-sighted, and accomplished woman.
But... but....
Well, I suppose, the right way of putting it would be to say, in the
consecrated formula, that she has the defects of her qualities. Having
preserved something of a child’s simplicity, she has not entirely lost
a child’s wilfulness, a child’s instability of mood, a child’s
trick of wearing its heart upon its sleeve. She has never perfectly
acquired a grown person’s power of controlling or concealing her
emotions.
If you don’t happen to amuse her—if, by any chance, it is your
misfortune to bore her, no matter how slightly; and, oh, she is
so easily bored!—the atmosphere changes in a twinkling: the sun
disappears, clouds gather, the temperature falls, and (unless you
speedily “brisken up,” or fly her presence) you may prepare for
most uncomfortable weather. If you manifest the faintest hesitation in
complying with her momentary wishes, if you raise the mildest objection
to them—gare à vous! Her face darkens, ominous lightning flashes in
her eyes, her under-lip swells dangerously; she very likely stamps her
foot imperiously; and you are to be accounted lucky if you don’t get a
smart dab from the barbed end of her royal tongue. And if she doesn’t
like you, though she may think she is trying with might and main to
disguise the fact and to treat you courteously, you know it directly,
and you go away with the persuasion that she has been, not merely cold
and abstracted, but downright uncivil.
In a word, Queen Anéli is hasty, she is impatient.
And, in addition to that, she is uncertain. You can never tell
beforehand, by any theory of probabilities based on past experience,
what will or will not, on any given occasion, cause her to smile or
frown. The thing she expressed a desire for yesterday, may offend her
to-day, The suggestion that offended her yesterday, to-day she may
welcome with joyous enthusiasm. You must approach her gingerly,
tentatively; you must feel your ground.
“Oh, most dread Sovereign,” said Florimond, “if you won’t fly
out at me, I would submit, humbly, that you’d better not drive this
afternoon in your victoria, in your sweet new frock, for, unless all
signs fail, it’s going to rain like everything.”
Public-domain text, read in full here on John Shaqi.
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