American fiction -- 19th century; Short stories, American
“There was a distinct suggestion of menace in your tone. But
never mind. If you didn’t really mean it, we’ll pretend there
wasn’t.—Well, my dears,” he went on, turning, so as to include the
King in his audience, “you never will believe me, but it’s a solemn,
sober fact that these two princesses were twin sisters, and that they
looked so much alike that nobody, not even their own born mother, could
tell them apart. Now, wasn’t that surprising? Only Ragglesnag looked
like Gugglegoo suddenly curdled and gone sour, you know; and Gugglegoo
looked like Ragglesnag suddenly wreathed out in smiles and graces. So
that the courtiers used to say ’Hello! What can have happened?
Here comes dear Princess Gugglegoo looking as black as thunder.’ Or
else—’Bless us and save us! What’s this miracle? Here comes old
Ragglesnag looking as if butter wouldn’t melt in her mouth,’ Well,
and then....”
“Oh, you needn’t continue,” the Queen interrupted, bridling.
“You’re tedious and obvious, and utterly unfair and unjust. I hope
I’m not an insipid little fool, like Gugglegoo; but I don’t
think I’m quite a termagant, either, like your horrid exaggerated
Ragglesnag.”
“Oh, dear! Oh, dear!” wailed Florimond. “Why will people go and
make a personal application or everything a fellow says? If I had been
even remotely thinking of your Majesty, I should never have dreamed of
calling her by either of those ridiculous outlandish names. Gugglegoo
and Ragglesnag, indeed!”
“What would you have called her?” the King asked, who was chuckling
inscrutably in his armchair.
“Well, I might have called her Ragglegoo, and I might have called her
Gugglesnag. But I hope I’m much too discerning ever to have applied
such a sweeping generalisation to her as Ragglesnag, or such a silly,
sugary sort of barbarism as Gugglegoo.”
“It’s perfectly useless,” the Queen broke out, bitterly, “to
expect a man—even a comparatively intelligent and highly-developed
man, like Florimond—to understand the subtleties of a woman’s
nature, or to sympathise with the difficulties of her life. When she
isn’t as crude, and as blunt, and as phlegmatic, and as insensitive,
and as transparent and commonplace and all-of-one-piece as themselves,
men always think a woman’s unreasonable and capricious and infantile.
It’s a little too discouraging. Here I wear myself to a shadow, and
bore and worry myself to extermination, with all the petty contemptible
cares and bothers and pomps and ceremonies of this tiresome little
Court; and that’s all the thanks I get—to be laughed at by my
husband, and lectured and ridiculed in stupid allegories by Florimond!
It’s a little too hard. Oh, if you’d only let me go away, and leave
it all behind me! I’d go to Paris and change my name, and become a
concert-singer. It’s the only thing I really care for—to sing
and sing and sing. Oh, if I could only go and make a career as a
concert-singer in Paris! Will you let me? Will you? Will you?” she
demanded, vehemently, of her husband.
Public-domain text, read in full here on John Shaqi.
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