American fiction -- 19th century; Short stories, American
And she would step out upon her balcony, in full sight of the enemy, and
look down upon them calmly, contemptuously.
Still, the military did contrive to prevent an actual revolution, and to
maintain the status quo.
The news reached the King at Vienna. He turned straight round and
hurried home.
“Oh, my dear, my dear!” he groaned. “You have made a mess of
things.”
“You think so? Read this.”
It was a copy of the morning’s Gazette, containing Prince Vasiliev’s
report of the interesting discoveries he had made amongst the papers
Tsargradev had left behind him at the Home Office.
There was an immediate revulsion of public feeling. The secret
understanding with Berlin was the thing that “did it.” The
Monterossans are hereditarily, temperamentally, and from motives of
policy, Russophils.
They couldn’t forgive Tsargradev his secret treaty with Berlin; and
they promptly proceeded to execrate him as much as they had loved him.
For State reasons, however, it was decided not to prosecute him. On his
release from prison, he asked for his passport, that he might go abroad.
He has remained an exile ever since, and (according to Florimond, at any
rate) “is spending his declining years colouring a meerschaum.”
“People talk of the ingratitude of princes,” said the Queen, last
night. “But what of the ingratitude of nations? The Monterossans
hated me because I dismissed M. Tsargradev; and then, when they saw him
revealed in his true colours, they still hated me, in spite of it. They
are quick to resent what they imagine to be an injury; but they never
recognise a benefit. Oh, the folly of universal suffrage! The folly of
constitutional government! I used to say, ’Surely a good despot is
better than a mob.’ But now I’m convinced that a bad despot,
even, is better. Come, Florimond, let us sing.... you know.... that
song....”
“God save—the best of despots?” suggested Florimond.
COUSIN ROSALYS
Isn’t it a pretty name, Rosalys? But, for me, it is so much more; it
is a sort of romantic symbol. I look at it written there on the page,
and the sentiment of things changes: it is as if I were listening to
distant music; it is as if the white paper turned softly pink, and
breathed a perfume—never so faint a perfume of hyacinths. Rosalys,
Cousin Rosalys.... London and this sad-coloured February morning become
shadowy, remote. I think of another world, another era. Somebody has
said that old memories and fond regrets are the day-dreams of the
disappointed, the illusions of the age of disillusion. Well, if they
are illusions, thank goodness they are where experience can’t touch
them—on the safe side of time.
Public-domain text, read in full here on John Shaqi.
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