American fiction -- 19th century; Short stories, American
And how angelically beautiful she looked! Her delicate, pale face,
and her dark, undulating hair, and her soft red lips; and then her
eyes—her luminous, mysterious dark eyes, in whose depths, far, far
within, you could discern her spirit shining starlike. And her hands,
white and slender and graceful, images in miniature of herself; with
what incommunicable wonder and admiration I used to watch them as they
moved above the keys. “A woman who plays Chopin ought to have three
hands—two to play with, and one for the man who’s listening to
hold.” That was a pleasantry which I meditated much in secret, and a
thousand times aspired to murmur in the player’s ear, but invariably,
when it came to the point of doing so, my courage failed me. “You
can see her, you can plead your cause.” Bless me, I never dared even
vaguely to hint that I had any cause to plead. I imagine young love
is always terribly afraid of revealing itself to its object, terribly
afraid and terribly desirous. Whenever I was not in Cousin Rosalys’s
presence, my heart was consumed with longing to tell her that I loved
her, to ask her whether perhaps she might be not wholly indifferent
to me; I made the boldest resolutions, committed to memory the most
persuasive declarations. But from the instant I was in her presence
again—mercy, what panic seized me!
I could have died sooner than speak the words that I was dying to speak,
ask the question I was dying to ask.
I called assiduously at the Palazzo Zacchinelli, and my aunt bade me to
dinner a good deal, and then one afternoon every week she used to drive
with Rosalys on the Pincian. There was one afternoon every week when all
Rome drove on the Pincian; was it Saturday? At any rate, you may be very
sure I did not let such opportunities escape me for getting a bow and
a smile from my cousin. Sometimes she would leave the carriage and join
me, while Aunt Elizabeth, with Sandro in her lap, drove on, round
and round the consecrated circle; and we would stroll together in the
winding alleys, or stand by the terrace and look off over the roofs of
the city, and watch the sunset blaze and fade behind St. Peter’s. You
know that unexampled view—the roofs of Rome spread out beneath you
like the surface of a troubled sea, and the dome of St. Peter’s, an
island rising in the distance, and the sunset sky behind it. We would
stand there in silence perhaps, at most saying very little, while the
sunset burned itself out; and for one of us, at least, it was a moment
of ineffable, impossible enchantment. She was so near to me—so near,
the slender figure in the pretty frock, with the dark hair, and the
captivating hat, and the furs; with her soft glowing eyes, with her
exquisite fragrance of girlhood; she was so near to me, so alone with
me, despite the crowd about us, and I loved her so! Oh, why couldn’t
I tell her? Why couldn’t she divine it? People said that women always
knew by intuition when men were in love with them. Why couldn’t
Public-domain text, read in full here on John Shaqi.
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