American fiction -- 19th century; Short stories, American
“I beg your pardon, I beg your pardon a thousand times,” he said.
“You would be utterly incapable of anything that was not generous
and noble. But you must remember that I had never seen you. How could I
know?”
“Well, now that you have seen me,” she responded, her eyes all
smiles again, “now that I have put my pride in my pocket, and bearded
you in your den, I don’t mind confiding in you that it’s nearly
lunchtime, and also that I’m ravenously hungry. Could you ring your
bell, and order up something in the nature of meat and drink? And while
you are about it, you might tell your landlady or some one to pack your
bag. We take,” she mentioned, examining a tiny watch, that seemed
nothing more than a frivolous incrustation of little diamonds and
rubies, “we take the three-sixteen for Silver Towers.” II.
Seated opposite her in the railway-carriage, as their train bore them
through the pleasant dales and woods of Surrey, Will Stretton fell to
studying his cousin’s appearance. “Burrell was right,” he told
himself; “she really is tremendously good-looking,” and that, in
spite of a perfectly reckless irregularity of feature. Her nose was too
small, but it was a delicate, pert, pretty nose, notwithstanding. Her
mouth was too large, but it was a beautiful mouth, all the same, softly
curved and red as scarlet, with sensitive, humorous little quirks in
its corners. Her eyes he could admire without reservation, brown and
pellucid, with the wittiest, teasingest, mockingest lights dancing in
them, yet at the same time a deeper light that was pensive, tender,
womanly. Her hair, too, he decided, was quite lovely, abundant,
undulating, black, blue-black even, but fine, but silky, escaping in a
flutter of small curls above her brow. “It’s like black foam,”
he said. And he would have been ready to go to war for her complexion,
though it was so un-English a complexion that one might have mistaken
her for a native of the France or Italy she had inhabitated: warm, dusky
white, with an elusive shadow of rose glowing through it. Yes, she was
tremendously good-looking, he concluded. She looked fresh and strong and
real. She looked alert, alive, full of the spring and the joy of life.
She looked as if she could feel quick and deep, as if her blood flowed
swiftly, and was red. He liked her face, and he liked her figure—it
was supple and vigorous. He liked the way she dressed—there was
something daring and spirited in the uncompromising, unabashed luxury of
it. “Who ever saw such a hat—or such a sunshade?” he reflected.
“There’ll be no coach-and-four to meet us at the station,” she
warned him, as they neared their journey’s end, “because I have no
horses. But we’ll probably find Madame Dornaye there, piaffer-ing in
person. Can you resign yourself to the prospect of driving up to your
ancestral mansion in a hired fly?”
“I could even, at a pinch, resign myself to walking,” he declared.
“But who is Madame Dornaye?”
Public-domain text, read in full here on John Shaqi.
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