American fiction -- 19th century; Short stories, American
“Oh, yes, the cliffs are white,” agreed the unwary Will.
“How can you tell such dreadful fibs?” she caught him up. “The
cliffs are prismatic. White, indeed! when they gleam with every
transparent tint from rose to violet, as if the light that falls on
them had passed through rubies and amethysts, and all sorts of precious
stones. That is an optical effect due doubtless to reflection or
refraction or something—no?”
“I should say it was almost certainly due to something,” he
acquiesced.
“And now,” she continued, “will you obligingly turn your attention
to the birds? Tweet-weet-willow-will-weet. I don’t know what it means,
but they repeat it so often and so earnestly, I’m sure it must be
true.”
“It’s relatively true,” said he. “It means that it’s a
fine morning, and their digestion’s good, and their affairs are
prospering—nothing more than that. They’re material-minded little
beasts, you know.”
“All truth is relative,” said she, “and one’s relatively a
material-minded little beast oneself. Is the greensward beyond
there (relatively) spangled with buttercups and daisies? Is the park
(relatively) leafy, and shadowy, and mysterious, and delightful? Is the
may in bloom? Voyons donc! you’ll never be denying that the may’s
in bloom. And is the air like an elixir? I vow, it goes to one’s head
like some ethereal elixir. And yet you have the effrontery to tell
me that you’re pining for the flesh-pots of Great College Street,
Westminster, S.W.”
“Oh, did I tell you that? Ah, well, it must have been with intent to
deceive, for nothing could be farther from the truth,” he owned.
“The relative truth? Then you’re not homesick?”
“Not consciously,” said he.
“Neither am I,” said she.
“Why should you be?” he asked.
“This is positively the first day since my arrival in England that I
haven’t been, more or less,” she answered.
“Oh?” he wondered sympathetically.
“You can’t think how dépaysée I’ve felt. After having lived
all one’s life in Prague, suddenly to find oneself translated to the
mistress-ship of an English country house,” she submitted.
“In Prague? I thought you had lived in Rome and Paris, chiefly,” he
exclaimed.
“Prague is a figure of rhetoric,” she reminded him. “I mean the
capital of Bohemia. Wasn’t my father a sculptor? And wasn’t I born
in a studio? And haven’t my playmates and companions always been of
Florizel the loyal subjects? So whether you call it Rome or Paris or
Florence or Naples, it was Prague, none the less.”
“At that rate, I live in Prague myself, and we’re compatriots,”
said Will.
Public-domain text, read in full here on John Shaqi.
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