American fiction -- 19th century; Short stories, American
“Oh, one can see that you’ve enjoyed a liberal education,” he
apprised her. “But where were you taught to jump to conclusions? You
do it with a grace, an assurance. I too have heard that two and two make
four; but first you must catch your two and two. Really, as if there
couldn’t be more than one Chinese costume knocking about Vienna,
during carnival week! Dear, good, sweet lady, it’s of all disguises
the disguise they’re driving hardest, this particular season. And
then to build up an elaborate theory of identities upon the mere chance
resemblance of a pair of photographs! Photographs indeed! Photographs
don’t give the complexion. Say that your Invisible Prince is dark,
what’s to prevent your literary man from being fair or sandy? Or vice
versa? And then, how is a little German Polish princeling to write poems
and things in English? No, no, no; your reasoning hasn’t a leg to
stand on.”
“Oh, I don’t mind its not having legs,” she laughed, “so long
as it convinces me. As for writing poems and things in English, you
yourself said that everybody is more or less English, in these days.
German princes are especially so. They all learn English, as a second
mother-tongue. You see, like Circassian beauties, they are mostly bred
up for the marriage market; and nothing is a greater help towards a good
sound remunerative English marriage, than a knowledge of the language.
However, don’t be frightened. I must take it for granted that Victor
Field would prefer not to let the world know who he is. I happen to have
discovered his secret. He may trust to my discretion.”
“You still persist in imagining that I’m Victor Field?” he
murmured sadly.
“I should have to be extremely simple-minded,” she announced, “to
imagine anything else. You wouldn’t be a male human being if you had
sat here for half an hour patiently talking about another man.”
“Your argument,” said he, “with a meretricious air of subtlety, is
facile and superficial. I thank you for teaching me that word. I’d
sit here till doomsday talking about my worst enemy, for the pleasure of
talking with you.”
“Perhaps we have been talking of your worst enemy. Whom do the
moralists pretend a man’s worst enemy is wont to be?” she asked.
“I wish you would tell me the name of the person the moralists would
consider your worst enemy,” he replied.
“I’ll tell you directly, as I said before, if you’ll own up,”
she offered.
“Your price is prohibitive. I’ve nothing to own up to.”
“Well then—good night,” she said.
Lightly, swiftly, she fled from the conservatory, and was soon
irrecoverable in the crowd.
Public-domain text, read in full here on John Shaqi.
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