American fiction -- 19th century; Short stories, American
“The imitation marionettes. You’ve seen them at little theatres in
Italy. They’re actors who imitate puppets. Men and women who try to
behave as if they weren’t human, as if they were made of starch and
whalebone, instead of flesh and blood.”
“Ah, yes,” she assented, with another little laugh. “That would be
rather typical of our insular methods. But do you know what an engaging,
what a reviving spectacle you presented, as you stood there flourishing
your hat? What do you imagine people thought? And what would have
happened to you if I had just chanced to be a policeman instead of a
friend?”
“Would you have clapped your handcuffs on me?” he enquired. “I
suppose my conduct did seem rather suspicious. I was in the deepest
depth of dejection. One must give some expression to one’s sorrow.”
“Are you going towards Kensington?” she asked, preparing to move on.
“Before I commit myself, I should like to be sure whether you are,”
he replied.
“You can easily discover with a little perseverance.”
He placed himself beside her, and together they walked towards
Kensington.
She was rather taller than the usual woman, and slender. She was
exceedingly well-dressed; smartly, becomingly; a jaunty little hat of
strangely twisted straw, with an aigrette springing defiantly from it; a
jacket covered with mazes and labyrinths of embroidery; at her throat
a big knot of white lace, the ends of which fell winding in a creamy
cascade to her waist (do they call the thing a jabot?); and then....
But what can a man trust himself to write of these esoteric matters? She
carried herself extremely well, too: with grace, with distinction, her
head held high, even thrown back a little, superciliously. She had an
immense quantity of very lovely hair. Red hair? Yellow hair? Red hair
with yellow lights burning in it? Yellow hair with red fires shimmering
through it? In a single loose, full billow it swept away from her
forehead, and then flowed into half-a-thousand rippling, crinkling,
capricious undulations. And her skin had the sensitive colouring, the
fineness of texture, that are apt to accompany red hair when it’s
yellow, yellow hair when it’s red. Her face, with its pensive,
quizzical eyes, it’s tip-tilted nose, it’s rather large mouth, and
the little mocking quirks and curves the lips took, was an alert, arch,
witty face; a delicate high-bred face; and withal a somewhat sensuous,
emotional face; the face of a woman with a vast deal of humour in her
soul, a vast deal of mischief; of a woman who would love to tease you,
and mystify you, and lead you on, and put you off; and yet who, in her
own way, at her own time, would know supremely well how to be kind.
But it was mischief rather than kindness that glimmered in her eyes at
present, as she asked, “You were in the deepest depths of dejection.
Poor man! Why?”
“I can’t precisely determine,” said he, “whether the sympathy
that seems to vibrate in your voice is genuine or counterfeit.”
Public-domain text, read in full here on John Shaqi.
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