American fiction -- 19th century; Short stories, American
Explaining the case to me, she said, “Ah, what I suffered! I could
never have believed that I cared so much for him. But—what would
you?—one attaches oneself, you know. Ah, what I suffered! The anxiety,
the terrors! I expected to hear of him run over in the streets. Well,
now, I must make an end of this business. I’m going to take him away.
So long as he remains in Paris, where there are chemists who will sell
him that filthiness (cette crasse) it is hopeless. No sooner do I get
my house of cards nicely built up, than—piff!—something happens to
knock it over. I am going to take him down into the country, far from
any town, far from the railway, where I can guard him better. I know a
place, a farmhouse, near Villiers-St.-Jacques, where we can get board.
He has a little income, which reaches him every three months from
England. Oh, very little, but if I am careful of it, it will pay our
way. And then—I will make him work.”
“Oh, no,” I protested. “You’re not going to leave the
Quarter.” And I’m ashamed to acknowledge, I laboured hard to
dissuade her. “Think how we’ll miss you. Think how you’ll bore
yourself. And anyhow, he’s not worth it. And besides, you won’t
succeed. A man who has an appetite for opium will get it, coûte que
coûte. He’d walk twenty miles in bare feet to get it.” This was the
argument that I repeated in a dozen different paraphrases. You see,
I hadn’t realised yet that it didn’t matter an atom whether she
succeeded, or whether he was worth it. He was a mere instrument in the
hands of Providence. Let her succeed or let her fail in keeping him from
opium: the important thing... how shall I put it? This little Undine had
risen out of the black waters of the Latin Quarter, and attached herself
to a mortal. What is it that love gains for Undines?
“Que veux-tu?” cried P’tit-Bleu. “I am fond of him. I can’t
bear to see him ruining himself. I must do what I can.”
And the Quarter said, “Ho-ho! You chaps who didn’t believe it was
a ’collage’. He-he! What do you say now? She’s chucked up
everything, to go and live in the country with him.”
In August or September I ran down to the farmhouse near
Villiers-St.-Jacques, and passed a week with them. I found a mightily
changed Monsieur Edouard, and a curiously changed P’tit-Bleu, as well.
He was fat and rosy, he who had been so thin and white. And she—she
was grave. Yes, P’tit-Bleu was grave: sober, staid, serious. And her
impish, mocking black eyes shone with a strange, serious, calm light.
Monsieur Edouard (with whom my relations had long before this become
confidential) drew me apart, and told me he was having an exceedingly
bad time of it.
Public-domain text, read in full here on John Shaqi.
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