American fiction -- 19th century; Short stories, American
One was rather surprised to see this little house just here, for all the
other houses in the neighbourhood were rude farm-houses or labourers’
cottages; and this was a coquettish little chalet, white-walled, with
slim French windows, and balconies of twisted ironwork, and Venetian
blinds: a gay little pleasure-house, standing in a bright little garden,
among rosebushes, and parterres of geraniums, and smooth stretches of
greensward. Beyond the garden there was an orchard—rows and couples
of old gnarled apple-trees, bending towards one another like fantastic
figures arrested in the middle of a dance. Then, turning round, you
looked over feathery colza fields and yellow corn fields, a mile away,
to the sea, and to a winding perspective of white cliffs, which the sea
bathed in transparent greens and purples, luminous shadows of its own
nameless hues.
A board attached to the wall confirmed, in roughly painted characters,
the information I had had from an agent in Dieppe. The house was to let;
and I had driven out—a drive of two long hours—to inspect it. Now I
stood on the doorstep and rang the bell. It was a big bell, hung in the
porch, with a pendent handle of bronze, wrought in the semblance of a
rope and tassel. Its voice would carry far on that still country air.
It carried, at any rate, as far as a low thatched farm-house, a hundred
yards down the road. Presently a man and a woman came out of the
farm-house, gazed for an instant in my direction, and then moved towards
me: an old brown man, an old grey woman, the man in corduroys, the woman
wearing a neat white cotton cap and a blue apron, both moving with the
burdened gait of peasants.
“You are Monsieur and Madame Leroux?” I asked, when we had
accomplished our preliminary good-days; and I explained that I had come
from the agent in Dieppe to look over their house. For the rest, they
must have been expecting me; the agent had said that he would let them
know.
But, to my perplexity, this business-like announcement seemed somehow
to embarrass them; even, I might have thought, to agitate, to distress
them. They lifted up their worn old faces, and eyed me anxiously. They
exchanged anxious glances with each other. The woman clasped her hands,
nervously working her fingers. The man hesitated and stammered a little,
before he was able to repeat vaguely, “You have come to look over the
house, Monsieur?”
“Surely,” I said, “the agent has written to you? I understood from
him that you would expect me at this hour to-day.”
“Oh yes,” the man admitted, “we were expecting you.” But he made
no motion to advance matters. He exchanged another anxious glance with
his wife. She gave her head a sort of helpless nod, and looked down.
“You see, Monsieur,” the man began, as if he were about to elucidate
the situation, “you see—” But then he faltered, frowning at the
air, as one at a loss for words.
“The house is already let, perhaps?” suggested I.
“No, the house is not let,” said he.
Public-domain text, read in full here on John Shaqi.
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