Comedy plays; English drama -- 19th century; Farces
THE CURTAIN FALLS.
EXPRESS!
_A Railway Romance, in One Compartment._
(_Adapted from the French._)
DRAMATIS PERSONÆ.
A LADY.
A GENTLEMAN.
A RAILWAY GUARD.
[The action is supposed to take place in a first-class
railway-carriage, travelling on a certain line between a certain place
and another certain place.]
SCENE.--_A plain interior, supposed to represent a compartment in a
first-class railway-carriage; door in flat at C.--the entrance--four
easy-chairs placed two and two opposite the others, representing the
seats--on the second chair at L. H. an open newspaper._
_The actor playing the part of the gentleman enters at door C. in
light overcoat, with travelling-bag, hat-box, and railway-rug over his
arm; he places the bag, hat-box, and rug on first chair, L. H., and
advances, cap in hand, and, after sundry bows, proceeds to explain the
scene to the audience._ Ladies and gentlemen: The little piece we are
about to present to you is supposed to take place in a first-class
compartment of a railway-carriage, travelling express
from--from--Plymouth to London; shall we say Plymouth to London?--very
well--Plymouth to London. You will also be good enough to see in the
humble individual who is now addressing you, a
deputy-assistant-deputy-inspector of Government prisons, returning
from an official visit to that well-known and, judging from the
constant stream of applications for admission, highly popular convict
establishment at--at--Dartmouth; shall we say Dartmouth?--be it so,
we'll say Dartmouth! Our first idea, in order to impart a greater
reality to the situation, was to place before you a regular train with
locomotive, etc., etc., all complete, and for this purpose we applied
to a certain railway company for the loan of one; but the secretary,
in reply, said that the only materials he could offer us were
cattle-trucks and coal-wagons, all the passenger rolling-stock being
in requisition, owing to the unusual number they had smashed up during
the year. He certainly offered us the use of an engine, but at the
same time candidly gave us to understand that it was a little bit
rusty, and wouldn't stand the slightest pressure; he further added
that if the knob of the steam-whistle _should_ happen to knock out the
front teeth of any of the audience, we were not to blame _him_ if we
had a few compensation actions to sustain!--and so on! Altogether the
alternative was so dismal that we decided on sacrificing a flaming
line in our play-bill about "flashing express," "real steam," "genuine
foot-warmers," which we had composed for the occasion, and to fall
back upon the best scene that our stage-carpenter and property-man
could prepare for us.
Public-domain text, read in full here on John Shaqi.
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