Comedy of Marriage and Other TalesMaupassant, Guy de
General
Comedy of Marriage and Other Tales
Maupassant, Guy de
French drama -- Translations into English; Short stories, French -- Translations into English
He had devoted himself to agriculture--to agriculture in the Chamber.
There are in the same way generals in the Chamber--those who are born,
who live, and who die, on the round leather chairs of the War Office,
are all of this sort, are they not? Sailors in the Chamber,--viz., in
the Admiralty,--colonizers in the Chamber, etc., etc. So he had studied
agriculture, had studied it deeply, indeed, in its relations to the
other sciences, to political economy, to the Fine Arts--we dress up the
Fine Arts with every kind of science, and we even call the horrible
railway bridges “works of art.” At length he reached the point when it
was said of him: “He is a man of ability.” He was quoted in the
technical reviews; his wife had succeeded in getting him appointed a
member of a committee at the Ministry of Agriculture.
This latest glory was quite sufficient for him.
Under the pretext of diminishing the expenses, he sent out invitations
to his friends for the day when his wife received hers, so that they
associated together, or rather did not--they formed two distinct groups.
Madame, with her escort of artists, academicians, and ministers,
occupied a kind of gallery, furnished and decorated in the style of the
Empire. Monsieur generally withdrew with his agriculturists into a
smaller portion of the house used as a smoking-room and ironically
described by Madame Anserre as the Salon of Agriculture.
The two camps were clearly separate. Monsieur, without jealousy,
moreover, sometimes penetrated into the Academy, and cordial
hand-shakings were exchanged; but the Academy entertained infinite
contempt for the Salon of Agriculture, and it was rarely that one of the
princes of science, of thought, or of anything else, mingled with the
agriculturists.
These receptions occasioned little expense--a cup of tea, a cake, that
was all. Monsieur, at an earlier period, had claimed two cakes, one for
the Academy, and one for the agriculturists, but Madame having rightly
suggested that this way of acting seemed to indicate two camps, two
receptions, two parties, Monsieur did not press the matter, so that they
used only one cake, of which Madame Anserre did the honors at the
Academy, and which then passed into the Salon de Agriculture.
Now, this cake was soon, for the Academy, a subject of observation well
calculated to arouse curiosity. Madame Anserre never cut it herself.
That function always fell to the lot of one or other of the illustrious
guests. The particular duty, which was supposed to carry with it
honorable distinction, was performed by each person for a pretty long
period, in one case for three months, scarcely ever for more; and it was
noticed that the privilege of “cutting the cake” carried with it a heap
of other marks of superiority--a sort of royalty, or rather very
accentuated viceroyalty.
The reigning cutter spoke in a haughty tone, with an air of marked
command; and all the favors of the mistress of the house were for him
alone.
Public-domain text, read in full here on John Shaqi.
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