Comedy of Marriage and Other TalesMaupassant, Guy de
General
Comedy of Marriage and Other Tales
Maupassant, Guy de
French drama -- Translations into English; Short stories, French -- Translations into English
“I promised the father, I must not break my promise.”
Then he gave a push to the door of the house bearing the number 18,
which stood ajar, discovered a gloomy-looking staircase, ascended three
flights, perceived a door, then a second door, came upon the string of a
bell, and pulled it. The ringing, which resounded in the apartment
before which he stood, sent a shiver through his frame. The door was
opened, and he found himself facing a young lady very well dressed, a
brunette with a fresh complexion, who gazed at him with eyes of
astonishment.
He did not know what to say to her, and she, who suspected nothing, and
who was waiting for him to speak, did not invite him to come in. They
stood looking thus at one another for nearly half a minute, at the end
of which she said in a questioning tone:
“You have something to tell me, Monsieur?”
He falteringly replied:
“I am M. Hautot's son.”
She gave a start, turned pale, and stammered out as if she had known him
for a long time:
“Monsieur César?”
“Yes.”
“And what next?”
“I have come to speak to you on the part of my father.”
She articulated:
“Oh, my God!”
She then drew back so that he might enter. He shut the door and followed
her into the interior. Then he saw a little boy of four or five years
playing with a cat, seated on the floor in front of a stove, from which
rose the steam of dishes which were being kept hot.
“Take a seat,” she said.
He sat down.
She asked:
“Well?”
He no longer ventured to speak, keeping his eyes fixed on the table
which stood in the center of the room, with three covers laid on it, one
of which was for a child. He glanced at the chair which had its back
turned to the fire. They had been expecting him. That was his bread
which he saw, and which he recognized near the fork, for the crust had
been removed on account of Hautot's bad teeth. Then, raising his eyes,
he noticed on the wall his father's portrait, the large photograph taken
at Paris the year of the exhibition, the same as that which hung above
the bed in the sleeping apartment at Ainville.
The young woman again asked:
“Well, Monsieur César?”
He kept staring at her. Her face was livid with anguish; and she waited,
her hands trembling with fear.
Then he took courage.
“Well, Mam'zelle, papa died on Sunday last just after he had opened the
shooting.”
She was so much overwhelmed that she did not move. After a silence of a
few seconds, she faltered in an almost inaudible tone:
“Oh! it is not possible!”
Then, on a sudden, tears showed themselves in her eyes, and covering her
face with her hands, she burst out sobbing.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account