Comedy of Marriage and Other TalesMaupassant, Guy de
General
Comedy of Marriage and Other Tales
Maupassant, Guy de
French drama -- Translations into English; Short stories, French -- Translations into English
But the moment her back was turned, she once more felt that his eye was
upon her. Wherever she went he pursued her with his persistent gaze.
Sometimes, when she was walking in her little garden, she suddenly
noticed him squatted on the stump of a tree as if he were lying in wait
for her; and again when she sat in front of the house mending stockings
while he was digging some cabbage-bed, he kept watching her, as he
worked, in a sly, continuous fashion.
It was in vain that she asked him:
“What's the matter with you, my boy? For the last three years, you have
become very different. I don't find you the same. Tell me what ails you,
and what you are thinking of, I beg of you.”
He invariably replied, in a quiet, weary tone:
“Why, nothing ails me, Aunt!”
And when she persisted, appealing to him thus: “Ah! my child, answer me,
answer me when I speak to you. If you knew what grief you caused me, you
would always answer, and you would not look at me that way. Have you any
trouble? Tell me, I'll console you!” he would turn away with a tired
air, murmuring:
“But there is nothing the matter with me, I assure you.”
He had not grown much, having always a childish aspect, although the
features of his face were those of a man. They were, however, hard and
badly cut. He seemed incomplete, abortive, only half finished, and
disquieting as a mystery. He was a close impenetrable being, in whom
there seemed always to be some active, dangerous mental travail taking
place.
Mademoiselle Source was quite conscious of all this, and she could not,
from that time forth, sleep at night, so great was her anxiety.
Frightful terrors, dreadful nightmares assailed her. She shut herself up
in her own room and barricaded the door, tortured by fear.
What was she afraid of? She could not tell.
Fear of everything, of the night, of the walls, of the shadows thrown by
the moon on the white curtains of the windows, and, above all, fear of
him.
Why? What had she to fear? Did she know what it was? She could live this
way no longer! She felt certain that a misfortune threatened her, a
frightful misfortune.
She set forth secretly one morning and went into the city to see her
relatives. She told them about the matter in a gasping voice. The two
women thought she was going mad and tried to reassure her.
She said:
“If you knew the way he looks at me from morning till night. He never
takes his eyes off me! At times I feel a longing to cry for help, to
call in the neighbors, so much am I afraid. But what could I say to
them? He does nothing to me except to keep looking at me.”
The two female cousins asked:
“Is he ever brutal to you? Does he give you sharp answers?”
She replied:
“No, never; he does everything I wish; he works hard; he is steady; but
I am so frightened I don't mind that much. He has something in his head,
I am certain of that--quite certain. I don't care to remain all alone
like that with him in the country.”
Public-domain text, read in full here on John Shaqi.
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