Comic Tragedies: Written by 'Jo' and 'Meg' and Acted by The 'Little Women'Alcott, Louisa May
General
Comic Tragedies: Written by 'Jo' and 'Meg' and Acted by The 'Little Women'
Alcott, Louisa May
American drama -- 19th century; Melodrama
Ion [_rising proudly_]. To the pagan Mohammed,--he who with murderous
hand hath bathed in blood the smiling plains of Greece; profaned her
altars, enslaved her people, and filled the land with widows' tears and
orphans' cries; he who by perfidy makes captives of his foes, refusing
hostage and scorning honorable treaty; turns from all supplicants,
closes his heart to mercy, and tramples under foot all pity and all
justice,--the murderer, and the tyrant. Yes, king, I know to whom I
plead.
Moh'd. [_in great anger_]. Ho, without there, guards!--Selim! [_Enter_
Selim _and soldiers._] Away with the prisoner! Bind him fast; see he
escape not. Mohammed stands not to be braved by a beardless boy! Hence!
[_Guards approach with chains._]
Ion. Lay not hands upon me,--I am no slave! One more appeal: May a son
look once more upon his father ere death parts them forever? May I but
for an hour speak with Cleon?
Moh'd. Once more thou mayst look upon the rebel Greek. When he hangs
from yonder battlement thou mayst gaze unbidden as thou will. Away! With
to-morrow's sun, he dies.
Ion. So soon, O king!--nay, the son of Cleon kneels not to thee again
[_turns to go_].
Moh'd. Stay,--yield up thy sword! Bend thy proud knee, and surrender
unto me the arms thou art unworthy now to bear.
Ion [_drawing his sword_]. This, my sword, girded on by a mother's hand,
pledged to the deliverance of a captive sire, dedicated to the service
of my country, unstained, unconquered,--_thus_ do I surrender thee. [_He
breaks the sword, and flings it down._]
Moh'd. Again dost thou brave me! Away with the rebel! Bind him hand and
foot. He shall learn what it is to be Mohammed's slave. Hence, I say!
Ion. I am thy captive, but thy slave--never! Thou mayst chain my limbs,
thou canst _not_ bind my freeborn soul! Lead on,--I follow.
[_Exit_ Ion _and guards_.
CURTAIN.
SCENE THIRD.
[_Tent of_ Zuleika; _guitar, ottoman, etc._]
Zuleika [_pacing up and down_]. Night draweth on apace, and ever nearer
comes the fatal hour. With to-morrow's dawn all hope is o'er, for
Mohammed hath sworn the Greek shall die, and when was _he_ ere known to
fail in his dread purpose? In vain have I wept before him, imploring him
to have some mercy; in vain have I sought with golden promises to move
the stony-hearted Hafiz,--all, all hath failed, and I am in despair. And
that brave youth, his true heart filled with love's pure devotion,
seeking by the sacrifice of his own life to save a father! And now each
moment bringeth nearer the death-hour of that father, and he is mourning
in solitude that he may not say farewell. Where can I turn for help? Ah,
Hassan! my faithful slave. He is true, and loveth me like his own. He
must aid me [_claps her hands_; _enter_ Hassan]. Hassan, thou lovest me,
and would not see me grieve?
Public-domain text, read in full here on John Shaqi.
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