It would not do to say that she, in her barbaric simplicity, assumed
that all Englishwomen lay on their backs and had angelic tempers. But
she did arrive at a characteristically ecstatic conclusion about Mrs.
Dainopoulos. That lady was so obviously, so romantically genteel that
Evanthia sometimes wanted to barter her own superb vitality for some
such destiny. She never considered for a moment, until she met Mr.
Spokesly, the chances of being adored as Mr. Dainopoulos adored his
wife. She knew Mr. Dainopoulos would never dream of adoring a woman like
herself. She regarded him with dislike because he betrayed no curiosity
about herself and because he obviously knew too much to be hoodwinked by
her arts. He even ignored her rather amusing swagger when she paraded
her new acquisition, a handsome vice-consul. She knew he would not have
tolerated her at all had not his wife expressed a desire to have her
remain. Mrs. Dainopoulos had no intention of countenancing evil; but she
had been humane enough to see, when Evanthia told her story, how
impossible it was for a girl with such a childhood to have the remotest
conception of Western ideals. Mrs. Dainopoulos, in fact, belonged to the
numerous class of people in England who manage "to make allowances," as
they call it, for others. And possibly, too, Evanthia, with her bizarre
history and magical personality, possibly even her naïve assumption that
she was destined to be mistress of men, appealed to the Englishwoman's
flair for romance. Evanthia, contrasted with Haverstock Hill, was
wonderful. And to Evanthia, the victim of sudden little spurts of
girlish posing, pathetic strivings after an imaginary western self, the
invalid woman was a sympathetic angel. She never laughed when Evanthia
pretended an absurd lofty patriotism or inaugurated a season of
ridiculous religious observances, dressing in white and holding a
crucifix to her breast. She did not deride Evanthia's remarkable
travesty of English dress, or Evanthia's embarrassing concoctions in the
kitchen. These gusts of enthusiasm died out, and the real Evanthia
emerged again, a velvet-soft being of sex and sinuous delicacy, of no
country and no creed, at home in the world, a thing of indestructible
loveliness and problematic utility.
Public-domain text, read in full here on John Shaqi.
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