He had automobiles, as he had resolved, of matchless black and
cream-coloured coachwork, with scarlet wheels and orange silk
upholstery. He imported a yacht that floated in the harbour like a great
moth with folded wings. Far out on the breakwater he had an enormous
bungalow built of hard woods upon a square lighter, with chambers for
music and slumber in the cool Mediterranean breeze, while the thud and
wash of the waves against the outer wall lulled the sleeper to antique
dreams. He did all this, and sat each day in the portico of the great
marble Bourse, planning fresh acquisitions of money. His wife lay in her
chair in her rose-tinted chamber at San Stefano, looking out upon the
blue sea beyond the orange trees and palms, smiling and sometimes
immobile, as though stunned by this overwhelming onslaught of wealth
pressed from the blood and bones of the youth of the world. She smiled
and lay thinking of her imaginary people, who lived exemplary and
unimportant lives in an England which no longer existed. And near her,
hovering, shining like a creature from another world, clad miraculously
in robes of extraordinary brilliance, could be seen Evanthia Solaris,
the companion of her hours. Often it was she who shot away along the
great corniche road in those cars of speed and beauty, their silver
fittings and glossy panels humming past like some vast and costly
insect. She it was who lay in a silken hammock in the great houseboat by
the breakwater, and listened to the sweet strains from the disc
concealed in a cabinet shaped like a huge bronze shell. "_Je déteste les
hommes_," she murmured to herself as she wandered through the orange
groves to the curved marble seats on the shore.
Hearing these words as she passed, the young Jew, working among the
roses, would tremble and recall with an expression of horror their
experiences in Europe. Often, when in their destitution she had taken
him by the hair and hissed them in his affrighted ear, and he would
utter an almost inaudible moan of "Oh, Madama!" For he loved her. He was
the victim of a passion like a thin, pure, agitated flame burning amid
conflagrations. He would have expired in ecstasy beneath her hand, for
it would have needed more courage to speak than to die. And now he was
in paradise tending the roses and suffering exquisite agonies as she
passed, her beautiful lips muttering, "_Je déteste les hommes!_" As
perhaps she did; yet she would sometimes look suddenly out across the
waves with smouldering amber eyes and parted lips, as though she
expected to behold once more the figure of a man coming up out of the
sea, to offer again the unregarded sacrifices of fidelity and love.
THE END
Public-domain text, read in full here on John Shaqi.
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