Commentary on Genesis, Vol. 2: Luther on Sin and the FloodLuther, Martin
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Commentary on Genesis, Vol. 2: Luther on Sin and the Flood
Luther, Martin
Bible. Genesis -- Commentaries
68. Let this sign teach us to fear God and to trust in him. So may we
escape the punishment of fire, even as we have escaped the punishment
of the flood. It will be more practical to think of these things than
to consider those philosophical arguments concerning the material
cause.
III. ALLEGORIES 69-132.
A. ALLEGORIES IN GENERAL 69-81.
1. Luther at first given to allegories 69-70.
2. How and why monks and Anabaptists esteem them so highly 71.
3. How we should regard them 72.
4. Are they to be entirely rejected 73.
5. Some are, and others not 74-76.
6. How to regard Origen's, Augustine's and Jerome's allegories
77-78.
7. Pope's allegories of the sun, moon and ark 79-80.
8. What to think of the doctrine of these allegories 81.
III. CONCERNING ALLEGORIES.
A. Allegories in General.
69. At last we have finished the story of the flood, which Moses
satisfactorily describes at great length. It is a fearful example of
the immeasurable and all but boundless wrath of God, which is beyond
the power of human utterance. There remains to be said a word or two
concerning its allegorical meaning. I have often declared that I take
no great pleasure in allegories, although in my younger days they had
such a fascination for me that I thought everything ought to be shown
to have an allegorical meaning. I was influenced in this respect by
the example of Origen and Jerome, whom I admired as the greatest of
all theologians. I may add that Augustine also uses the allegory quite
frequently.
70. But while I followed the example of these men, I discovered at
last that, to my great loss, I had followed a shadow, and had
overlooked the very sap and marrow of the Scriptures. Thereupon I
began to hate allegories. They are pleasing, to be sure, especially
when they contain happy allusions. They may be compared to choice
pictures. But as much as real objects with their native hues surpass a
picture, even though it should glow, as the poet has it (stat silo V.
1, 5), with Apelles-like colors, closely copied from nature, so much
the historical narrative itself is superior to the allegory.
71. In our day the ignorant mob of the Anabaptists is as much filled
with immoderate craving for allegory as are the monks. They love to
delve in the more mysterious books, such as the Revelation of John,
and that worthless fabrication passing under the title of the second
and third books of Esdras. For, there you are at liberty to follow
your fancy as you please. We recall that Muntzer, the seditious
spirit, turned everything into allegory. But true it is, that he who,
without judgment, makes allegories or follows those made by others,
will not only be deceived but sustain deplorable injury, as there are
examples to prove.
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