The hieroglyphs on page 35, when they were all legible, numbered 14 and
were arranged in two rows. 4 of the upper row are preserved, the lower part
of the first is a year-sign (?), similar to that which often appears on
pages 25-28, the upper element is the cross, and the prefix is the one
resembling a leaf, which occurs so frequently. The second sign is an Imix
with a prefixed 9, the third a cross and the fourth a head (probably D's)
with Akbal. In the second row there is a cross with a prefixed 9 (sign of
the second or third month?). These two signs with the prefixed 9 are
perhaps to be read as a calendar date IX Imix 9 Zip (1 Ix), as on page 33a.
Ix, however, belongs to the west, which is the predominant cardinal point
from 32a onward. The second sign is a compound of Kin and Akbal (day and
night) which often occurs here, the third is the compound of the Moan and
Caban signs with the number 1 above each, and the fourth is the hieroglyph
of B. The fifth sign is unfamiliar to me. The sixth contains an Imix with
the sign for the west as a prefix, and the seventh is effaced.
At this point the representations begin to display a more orderly
arrangement.
6. Page 36a. Here the head of B forms the head of a serpent (cf. pages 61
and 62) represented in pouring rain, while on page 35b it is emerging from
the water. Of the four hieroglyphs 1 and 2 are entirely and 3 for the most
part destroyed, and 4 is the usual Kan-Imix.
7. The lightning-beast with flames pouring forth from his forepaws and
tail, is plunging down from the rectangle, which primarily designates stars
and then the sky in general. This rectangle occurs for the first time here,
but will often be met with later. Here it may be a combination of Mars and
Venus. Of the four hieroglyphs, 1 is effaced, 2 is a compound of Kan and
Kin, 3 a head with Akbal and Kin (D?) with the uplifted arm as a prefix,
and 4, corresponding with the picture, is the compound of the rain sign
Cauac with the prefix of the storm-god K.
8. Here B himself is the bringer of lightning. In one hand he holds a
burning torch and flames are bursting from his carrying-frame. The third
hieroglyph is his sign. It is doubtful whether the fourth is the hatchet
(machete) or is not rather intended for an ear pierced for the purpose of
ritual blood-letting, as on pages 44b and 45b; the first and second signs
are rather indistinct.
Public-domain text, read in full here on John Shaqi.
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