Humphrey Armstrong came partly to himself to see the cold, implacable
face of this idol staring down at him from the gloom, ten feet from
where he lay; and it seemed to him, by slow degrees, that this was his
conscience sternly and silently upbraiding him for the loss of his ship
and the lives of his men, destroyed by his want of skill as a commander.
Day after day, through his semi-delirium, did that great idol torture
him, and seem, with its reproachful eyes, to burn into his brain.
Days passed, and by degrees he began to be aware that he was lying on a
bed of comfortable rugs and skins, stretched in a curious room, whose
walls were covered with hieroglyphics--thick, clumsy-looking
hieroglyphics--not like those of Egypt, but carved with a skill peculiar
to another race. Here and there were medallions of heads of gods or
rulers of the land. Flowers of a peculiar conventional type formed part
of the decorations or surrounded panels, in which were panthers,
alligators, or human figures. In the centre of the wall to his right
was a recess in which, clearly cut and hardly touched by time, were the
figures of a king seated upon a leopard-supported throne--seated
cross-legged, as in the East, and in a wondrous costume--while another
figure presented to him what seemed to be the spoil of a number of dead
and living figures who were trampled under foot.
The room was evidently a palace chamber, or a portion of a temple of
great antiquity; and by degrees Humphrey realised that the ceiling was
not arched or supported by beams, but by the great stones of which it
was composed being piled one above the other, like a flight of steps,
from the walls on either side till they met in the middle.
The floor was of stone, and there was a large opening on his left,
facing the recess where the carving of the king ornamented the wall; and
this opening, once a window, looked out upon the forest, whose dull,
green, subdued twilight stole into the place.
It was a weird look-out--upon tree-trunks strangled by serpent-like
creepers, which seemed to be contending with them for the life-giving
light which filtered down from above through clouds of verdure; while
other trees and other serpent-like creepers seemed in friendly
co-operation to have joined hands against the walls of the building,
which they were striving to destroy. Huge roots were thrust between the
joints of stones and shifted them out of place. One liana waved a
trailing stem through the window-opening as if in triumph, and to call
attention to the feat of another creeper which had twisted itself
completely round a great block, lifted it from one side, and held it
suspended like a vegetable feat of strength.
Public-domain text, read in full here on John Shaqi.
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