In the first instance, in France, he was simply to obtain what had
been actually received by the French Government from the sale of
certain prizes; the amount in question was not in negotiation save for
some allowances or deductions which did not greatly affect the total
one way or the other. In other words, he was simply to collect, if he
could, a just and admitted debt, and, after deducting expenses, divide
it in accordance with a certain recognized principle so far as his own
share, or the share of any one in Europe, was concerned, and remit the
balance to Congress for action. In the second instance, he was charged
with the more delicate and responsible work of pressing a claim for
heavy damages based on the estimated value of prizes which the Danish
Government had illegally returned to their original owners, the whole
transaction on their part constituting an unfriendly and unlawful act,
which could easily be magnified into a _casus belli_. In the first
case he was to collect a bill for forty thousand dollars; in the
second, to secure an admittance of obligation, establish the justice
of a claim for five times the first amount, and force a payment. The
second commission was the more honorable because the more responsible,
and is another proof of the continued and, in fact, increased
confidence in him which was felt by Congress.
The propriety, therefore, of associating him with Thomas Jefferson, by
requiring the approval of the latter to any final settlements, can not
be questioned. It can not be considered in any sense as a reflection
upon Jones. It was the usual and common practice under such important
circumstances to associate several negotiators to conduct the affair.
The action was unfortunate, however, as it was made a pretext by the
Danish Government for delaying the settlement. They had already
compromised their contention of the legality of their action in giving
up the ships by offering to settle with Franklin for ten thousand
pounds, which offer had been refused.
Public-domain text, read in full here on John Shaqi.
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