Common Cause: A Novel of the War in AmericaAdams, Samuel Hopkins
General
Common Cause: A Novel of the War in America
Adams, Samuel Hopkins
World War, 1914-1918 -- United States -- Fiction
When the threat of war had loomed, with the dismissal of the German
Ambassador, The Guardian had broached the project of a State Council of
Defense in a plain-spoken but moderate editorial. Further, it had urged
it upon the Governor who, with unaccustomed vacillation, had evaded and
procrastinated, arguing that the time was not yet ripe, and that the
plan would needlessly complicate matters. Naturally the more rabid
German press fell foul of it with their accustomed shrillness. Rather
than embarrass Embree at the time, Jeremy had refrained from following
up his first editorial, but had pressed the scheme upon the Governor by
private persuasions. Now, in the stir caused by Dr. Brender’s call to
the flag, he would bring it out again. If necessary he would force it
upon Embree, who could not well withstand a direct challenge to his
patriotism. He sketched out three leaders on the topic; then put them
aside and wrote the opening sentence of that editorial which was to
declare unequivocally the status of The Guardian. Thus to declare was to
declare war.
“The hyphen has two ends but no middle.”
Mild to the verge of banality, in wording. Yet the writer well
appreciated the high-explosive potency of that aphorism. Even without
what followed, it would be taken up as a defiance, the first open
defiance since Magnus Laurens’s speech, to the German-Americans of the
State. It would be the first step toward putting them on record. No
one knew better than the owner of The Guardian that upon the editor
who should first demand of the Centralia hyphenates that they declare
themselves as for or against the United States, who should assume the
initial responsibility for making the polyglot Commonwealth a house
divided against itself in treacherous and deadly enmities, the united
and deliberate vengeance of Deutschtum would fall in every practicable
form of reprisal. Sharp as was the offense he had heretofore given, it
was upon issues of minor import as compared to this. This was final.
When the emotions are deeply engaged, a practiced pen follows the
thought of the writer almost without interruption. At the conclusion of
his work, Jeremy read it over, altered a word or two, not in the way
of modification as is the tendency of re-casting, but from weaker to
stronger; then, after a moment’s thought, resumed his pencil and with
extreme care and neatness--as a young officer going into desperate
action might meticulously brush and set his uniform--inscribed the
caption, “Under Which Flag?”
He then did an unaccustomed thing. He made a complete tour of The
Guardian plant. Why, he could not have said, at the time. Afterward he
realized. It was the pride and satisfaction of proprietorship feeding
itself. Beneath it lay the unvoiced monition, warning him that it
might not be for long. Nevertheless, Jeremy was happy. He had been in a
defensive fight for a weary length of time. Now, at last, he had hit out
from the shoulder.
Public-domain text, read in full here on John Shaqi.
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