Common Cause: A Novel of the War in AmericaAdams, Samuel Hopkins
General
Common Cause: A Novel of the War in America
Adams, Samuel Hopkins
World War, 1914-1918 -- United States -- Fiction
But a newspaper is like an automobile or a loaf of bread in this
fundamental respect, that it costs more to make a good than a bad one.
All the special features which Andrew Galpin had put on, mounted up into
money. The staff was more expensive. The telegraphic service cost more.
At no time had swelling revenues quite overtaken rising expenditures.
Galpin, however, who had originally suggested to the new boss A Short
Life and a Merry One as The Guardian’s appropriate motto, was now
optimistic. He confidently believed the paper to be within measurable
distance of assured success.
“But we’re pretty near at the end of our rope--my rope,” Jeremy pointed
out.
“Ay-ah. There’s other ropes dangling around loose. Why not hitch to
one?”
“Borrow?”
“I’ve heard of its being done in business,” replied the general manager
quizzically. “Somebody’s got to help the banks make a living.”
“How much do you think we need?”
Galpin juggled with a pencil and a sheet of paper. “Let’s get enough
while we’re at it. Twenty thousand ought to be the last cent we’ll ever
have to ask for.”
“Can we get that much?” asked the other doubtfully. “On the security of
the plant? Easy.”
Jeremy’s money was in the Fenchester Trust Company, of which Robert
Wanser was president. No difficulty whatsoever was made by him when
Jeremy called. Wanser was an anomaly in national sentiment. The
grandson of a leader of the Young German movement who had found refuge
in this country from the rigorous repression of Germany in ’48, the
son of a major who fought with distinction for the Union through the
Civil War, he remained impregnably Teutonic in thought, sentiment, and
prejudice. He was a large, softish man who suggested in his appearance
a sleek and benignant walrus. He sat back in his chair and listened and
puffed and nodded, and when the applicant was through, made a notation
on a bit of paper. The rest was merely a matter of “Jeremy Robson” at
the bottom of a dated form, and “Do you wish to draw it now or leave
it on deposit, Mr. Robson?” To the borrower it seemed like the nearest
thing to magic since his great-aunt’s bequest.
“And how is the paper getting on, Mr. Robson?” asked Wanser
benevolently.
“First-rate. We can feel it taking hold harder and harder every day.”
“Ah!” Robert Wanser’s “Ah” had just the faintest touch of a medial “c”
in it; just a hint of the guttural, the only relic left in his speech of
a Teutonicism which three generations had failed to Americanize. “That
must be a great satisfaction.”
“It is.”
“And a great responsibility. What a power for good a newspaper may be,
even in a small community such as this! Or for evil. Or for evil,” he
repeated sorrowfully.
Jeremy waited.
“It can radiate enlightenment. Or it can scatter poison. The poison of
class hatred, of political unrest, of racial dissension.” He sighed.
Always for the direct method Jeremy asked, “You think The Guardian is
too radical?”
“A(c)h!” said Robert Wanser. “I have not assumed to criticize.”
Public-domain text, read in full here on John Shaqi.
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