_APPLICATION 40._ A dancer was to dance in a spotlight on the
stage. The light was to change colors constantly. She wanted
her robe to reflect each color that was thrown on it. Should
she have worn a robe of red, yellow, white, green, or blue?
_APPLICATION 41._ If you looked through a red glass at a
purple flower (purple is red mixed with blue), would the
flower look red, blue, purple, black, or white?
INFERENCE EXERCISE
Explain the following:
241. Mercury is separated from its ore by heating the ore so
strongly that the mercury rises from it as a vapor.
242. Hothouses are built of glass.
243. A "rainbow" is sometimes seen in the spray of a garden
hose.
244. Your feet become hot when your shoes are being polished.
245. Doors into offices usually have windows of ground glass
or frosted glass.
246. Opera glasses are of value to those sitting at a distance
from the stage.
247. In order to see clearly through opera glasses, you have
to adjust them.
248. It is warm inside an Eskimo's hut although it is built of
ice and snow.
249. It is usually cooler on a lawn than on dry ground.
250. Black clothes are warmer in the sunlight than clothes of
any other color.
CHAPTER SIX
SOUND
SECTION 28. _What sound is._
What makes a dictaphone or a phonograph repeat your words?
What makes the wind howl when it blows through the branches of
trees?
Why can you hear an approaching train better if you put your
ear to the rail?
If you were to land on the moon tonight, and had with you a tank
containing a supply of air which you could breathe (for there is no
air to speak of on the moon), you might _try_ to speak. But you would
find that you had lost your voice completely. You could not say a
word. You would open and close your mouth and not a sound would come.
Then you might try to make a noise by clapping your hands; but that
would not work. You could not make a sound. "Am I deaf and dumb?" you
might wonder.
The whole trouble would lie in the fact that the moon has practically
no air. And sound is usually a kind of motion of the air,--hundreds of
quick, sharp puffs in a second, so close together that we cannot feel
them with anything less sensitive than the tiny nerves in our ears.
If you can once realize the fact that sound is a series of quick,
sharp puffs of air, or to use a more scientific term, _vibrations_ of
air, it will be easy for you to understand most of the laws of sound.
A phonograph seems almost miraculous. Yet it works on an exceedingly
simple principle. When you talk, the breath passing out of your throat
makes the vocal cords vibrate. These and your tongue and lips make the
air in front of you vibrate.
Public-domain text, read in full here on John Shaqi.
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