_Originality_ is another feature of Hebrew poetry. It cannot indeed be said that this quality belongs to all the Hebrew poets. With such divinely perfect models as the later writers had before them, models with which they had been familiar from childhood, it was natural that they should imitate them. The spirit of inspiration did not prevent this, for it was not necessary to the ends of revelation that it should be prevented. Set even among the later poets we have some striking examples of originality; and Hebrew poetry, taken as a whole, is original in the fullest sense of the word, borrowing nothing that we know of from any other nation. Not to anticipate the question of the age to which the book of Job belongs, and passing by some gems of poetry contained in the book of Genesis, we may say that the oldest recorded song of certain date which the world possesses is that of the Israelites upon their deliverance at the Red sea. Exod., ch. 15. Next in order (to pass by the poetic effusions of Balaam, and some other fragments, Numb., chaps. 21-24) come the song which Moses wrote for the children of Israel just before his death (Deut., ch. 32), and (according to the title, the genuineness of which there is no valid reason for doubting) "the prayer of Moses the man of God," contained in the ninetieth psalm. In the period of the judges we have only the song of Deborah and Barak. The perfect originality of all these primitive songs is acknowledged by all. It constitutes indeed one of their chief charms. With "the sweet psalmist of Israel" began the era of lyric song; with Solomon that of didactic, and with Hosea, Joel, Isaiah, and their contemporaries, that of prophetic poetry. The poets to whom, under the illumination of the Holy Ghost, these different forms of Hebrew poetry owe their origin, are all distinguished for their originality. So is also the book of Job, that great didactic song so perfectly unique in its character.