English literature -- History and criticism; Literature -- History and criticism
Yet after all, I have always had my doubts about the supposed
“asininity” of Boswell. As his Great Friend said, “A man who talks
nonsense so well must know that he is talking nonsense.” It is only
fair to accept his own explanation and allow that when he said or did
ridiculous things it was, partly at least, in order to draw out his
Tremendous Companion. Thus we may think with pleasure of Boswell taking
a rise out of Johnson. But we do not need to imagine Johnson taking a
rise out of Boswell; it was not necessary; he rose of his own accord.
He made a candid record of these diverting incidents because, though
self-complacent, he was not touchy, and he had sense enough to see that
the sure way to be entirely entertaining is to be quite frank.
Boswell threw a stone at one bird and brought down two. His triumphant
effort to write the life of his Immense Hero just as it was, with all its
surroundings, appurtenances, and eccentricities, has won for himself a
singular honour: his proper name has become a common noun. It is hardly
necessary to use a capital letter when we allude to a boswell. His pious
boast that he had “Johnsonized the land,” is no more correct than it
would be to say, (and if he were alive he would certainly say it,) that
he had boswellized biography.
The success of the book appears the more remarkable when we remember
that of the seventy-five years of Samuel Johnson’s life not more than
two years and two months were passed in the society of James Boswell.
Yet one would almost think that they had been rocked in the same cradle,
or, (if this figure of speech seem irreverent,) that the Laird of
Auchinleck had slept in a little trundle-bed beside the couch of the
Mighty Lexicographer. I do not mean by this that the record is trivial
and cubicular, but simply that Boswell has put into his book as much of
Johnson as it will hold.
Let no one imagine, however, that a like success can be secured by
following the same recipe with any chance subject. The exact portraiture
of an insignificant person confers information where there is no
curiosity, and becomes tedious in proportion as it is precise.[19] The
first thing needful is to catch a giant for your hero; and in this
little world it is seldom that one like Johnson comes to the net.
Public-domain text, read in full here on John Shaqi.
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