Comparative ReligionCarpenter, J. Estlin (Joseph Estlin)
Religion
Comparative Religion
Carpenter, J. Estlin (Joseph Estlin)
Religions
In its widest use the word covers an extensive range of purposes, and
begets a large variety of questions. On whose behalf is the offering
made, a single individual, or some social group, his family or clan, a
secret society, a tribe, a nation? What persons are required for the
due performance of the rite, the head of the family, the village
magistrate, the fetish man, the priest? A complicated Vedic sacrifice
needed the co-operation of various orders of priests. What objects are
effected by it, a house or city-gate to be protected, a river to be
crossed, a battle to be won, a covenant or contract to be sealed? To
what powers does the worshipper address himself, in gratitude, homage,
or submission, seeking renewal of favour, or purging himself of some
sin, or desiring actual fellowship with his god? Behind these external
features lie more difficult problems in connection especially with
animal sacrifices, concerned {137} with the victim's qualities, and the
appropriation of them by the deity or the worshipper; with the peculiar
sanctity of blood, and the mysterious properties which it can impart;
with the notion of the transmission of the life of which it was the
vehicle; and the whole set of indefinite influences capable of
propagation by contact, like the clean and the unclean, the common and
the holy. And why, when the victim was offered, was the god supposed
to be satisfied with bones and entrails and a modest piece of meat, all
wrapped in fat? Greek wonder at so strange a practice could find no
better answer than the tale of how Prometheus once cheated the gods of
their share, and men had ever since followed his example. These
questions belong to the obscure realm of beginnings, in which various
answers are possible. All that can be attempted here is to offer a few
illustrations of the different motives that seem to lie behind
different forms of rite.
Public-domain text, read in full here on John Shaqi.
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