Comparative ReligionCarpenter, J. Estlin (Joseph Estlin)
Religion
Comparative Religion
Carpenter, J. Estlin (Joseph Estlin)
Religions
Attention is thus concentrated upon common sentiments and universal
relationships, and prayer acquires a deeper ethical meaning. It then
comes to rest upon devout experience, which seeks to interpret life in
relation to the permanent forces of justice which are believed to rule
the world. The hymns of Egypt celebrate in lofty terms the majesty and
beneficence of the gods, and the psalmists of the Nile sang of the
divine love encompassing all lands, setting every man in his place, and
amid diversities of colour and speech supplying all human needs. The
Babylonian poets addressed Shamash or Sin, sun or moon, as the symbols
of the universal order of nature, the witnesses of thought and deed
over the wide earth, the rulers on whom man could place unchanging
reliance. The Vedic singer found a similar figure of moral sovereignty
in Varuna (p. 106). Out of the depths of her distress Hecuba (in the
"Trojan Women") appeals to the mysterious Power whom she can still
glorify in her anguish: "Thou deep base of the world, and thou high
throne above the world, whoe'er thou art, unknown and hard of surmise,
chain of things to be, or reason of our reason, God, to thee I lift my
praise, seeing the silent road {152} that bringeth justice ere the end
be trod to all that breathes and dies." With a yet firmer confidence
could the Peruvian in the sixteenth century record this prayer to the
"World-animating Spirit": "O Pāchacāmac, thou who hast existed
from the beginning, and shalt exist unto the end, who createst man by
saying "Let man be," who defendest us from evil, and preservest our
life and health, art thou in the sky or in the earth, in the clouds or
in the depths? Hear the voice of him who implores thee, and grant him
his petitions. Give us life everlasting; preserve us, and accept this
our sacrifice."
Two or three thousand years before, the pious Egyptian had been bidden
to enter quietly into the sanctuary of God, to whom clamour is
abhorrent. "Pray to him with a longing heart in which all thy words
are hidden, so will he grant thy request, and hear that which thou
sayest and accept thy offering." Dear was this silent worship to the
higher teachers. A hymn to Thoth (p. 8) addresses him as "Thou sweet
spring for the thirsty in the desert," adding, "It is closed for those
who speak there, it is open for those who keep silence there. When the
silent man cometh, he findeth the spring."
Public-domain text, read in full here on John Shaqi.
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