Complete Original Short Stories of Guy De MaupassantMaupassant, Guy de
General
Complete Original Short Stories of Guy De Maupassant
Maupassant, Guy de
French fiction -- Translations into English; Short stories, French -- Translations into English
He looked round for a chair in which to have a doze, as he was sure his
wife would not leave before daylight. As soon as he became accustomed to
the light of the room he distinguished the big bed with its azure-and-
gold hangings, in the middle of the great room, looking like a
catafalque in which love was buried, for the princess was no longer
young. Behind it, a large bright surface looked like a lake seen at a
distance. It was a large mirror, discreetly covered with dark drapery,
that was very rarely let down, and seemed to look at the bed, which was
its accomplice. One might almost fancy that it had reminiscences, and
that one might see in it charming female forms and the gentle movement
of loving arms.
The baron stood still for a moment, smiling, almost experiencing an
emotion on the threshold of this chamber dedicated to love. But suddenly
something appeared in the looking-glass, as if the phantoms which he had
evoked had risen up before him. A man and a woman who had been sitting
on a low couch concealed in the shadow had arisen, and the polished
surface, reflecting their figures, showed that they were kissing each
other before separating.
Baron d'Etraille recognized his wife and the Marquis de Cervigne. He
turned and went away like a man who is fully master of himself, and
waited till it was day before taking away the baroness; but he had no
longer any thoughts of sleeping.
As soon as they were alone he said:
“Madame, I saw you just now in Princesse de Raynes' room; I need say no
more, and I am not fond either of reproaches, acts of violence, or of
ridicule. As I wish to avoid all such things, we shall separate without
any scandal. Our lawyers will settle your position according to my
orders. You will be free to live as you please when you are no longer
under my roof; but, as you will continue to bear my name, I must warn
you that should any scandal arise I shall show myself inflexible.”
She tried to speak, but he stopped her, bowed, and left the room.
He was more astonished and sad than unhappy. He had loved her dearly
during the first period of their married life; but his ardor had cooled,
and now he often amused himself elsewhere, either in a theatre or in
society, though he always preserved a certain liking for the baroness.
She was very young, hardly four-and-twenty, small, slight—too slight—and
very fair. She was a true Parisian doll: clever, spoiled, elegant,
coquettish, witty, with more charm than real beauty. He used to say
familiarly to his brother, when speaking of her:
“My wife is charming, attractive, but—there is nothing to lay hold of.
She is like a glass of champagne that is all froth; when you get to the
wine it is very good, but there is too little of it, unfortunately.”
Public-domain text, read in full here on John Shaqi.
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