After the morning audiences I stayed with Bonaparte all the day, either reading to him, or writing to his dictation. Three or four times in the week he would go to the Council. On his way to the hall of deliberation he was obliged to cross the courtyard of the Little Luxembourg and ascend the grand staircase. This always vexed him, and the more so as the weather was very bad at the time. This annoyance continued until the 25th of December, and it was with much satisfaction that he saw himself quit of it. After leaving the Council he used to enter his cabinet singing, and God knows how wretchedly he sung! He examined whatever work he had ordered to be done, signed documents, stretched himself in his arm-chair, and read the letters of the preceding day and the publications of the morning. When there was no Council he remained in his cabinet, conversed with me, always sang, and cut, according to custom, the arm of his chair, giving himself sometimes quite the air of a great boy. Then, all at once starting up, he would describe a plan for the erection of a monument, or dictate some of those extraordinary productions which astonished and dismayed the world. He often became again the same man, who, under the walls of St. Jean d'Acre, had dreamed of an empire worthy his ambition. At five o'clock dinner was served up. When that was over the First Consul went upstairs to Josephine's apartments, where he commonly received the visits of the Ministers. He was always pleased to see among the number the Minister of Foreign Affairs, especially since the portfolio of that department had been entrusted to the hands of M. de Talleyrand. At midnight, and often sooner, he gave the signal for retiring by saying in a hasty manner, "Allons nous coucher." It was at the Luxembourg, in the salons of which the adorable Josephine so well performed the honours, that the word 'Madame' came again into use. This first return towards the old French politeness was startling to some susceptible Republicans; but things were soon carried farther at the Tuileries by the introduction of 'Votre Altesse' on occasions of state ceremony, and Monseigneur in the family circle. If, on the one hand, Bonaparte did not like the men of the Revolution, on the other he dreaded still more the partisans of the Bourbons. On the mere mention of the name of those princes he experienced a kind of inward alarm; and he often spoke of the necessity of raising a wall of brass between France and them. To this feeling, no doubt, must be attributed certain nominations, and the spirit of some recommendations contained in the notes with which he was supplied on the characters of candidates, and which for ready reference were arranged alphabetically. Some of the notes just mentioned were in the handwriting of Regnault de St. Jean d'Angely, and some in Lucien Bonaparte's.