Complete Project Gutenberg John Galsworthy WorksGalsworthy, John
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Complete Project Gutenberg John Galsworthy Works
Galsworthy, John
English literature -- 20th century; Literature -- Collections
"Not much. As a Forsyte myself, I have no business to talk. But I'm a
kind of thoroughbred mongrel; now, there's no mistaking you: You're as
different from me as I am from my Uncle James, who is the perfect
specimen of a Forsyte. His sense of property is extreme, while you have
practically none. Without me in between, you would seem like a different
species. I'm the missing link. We are, of course, all of us the slaves
of property, and I admit that it's a question of degree, but what I call
a 'Forsyte' is a man who is decidedly more than less a slave of property.
He knows a good thing, he knows a safe thing, and his grip on
property--it doesn't matter whether it be wives, houses, money, or
reputation--is his hall-mark."
"Ah!" murmured Bosinney. "You should patent the word."
"I should like," said young Jolyon, "to lecture on it:
"Properties and quality of a Forsyte: This little animal, disturbed by
the ridicule of his own sort, is unaffected in his motions by the
laughter of strange creatures (you or I). Hereditarily disposed to
myopia, he recognises only the persons of his own species, amongst which
he passes an existence of competitive tranquillity."
"You talk of them," said Bosinney, "as if they were half England."
"They are," repeated young Jolyon, "half England, and the better half,
too, the safe half, the three per cent. half, the half that counts. It's
their wealth and security that makes everything possible; makes your art
possible, makes literature, science, even religion, possible. Without
Forsytes, who believe in none of these things, and habitats but turn them
all to use, where should we be? My dear sir, the Forsytes are the
middlemen, the commercials, the pillars of society, the cornerstones of
convention; everything that is admirable!"
"I don't know whether I catch your drift," said Bosinney, "but I fancy
there are plenty of Forsytes, as you call them, in my profession."
"Certainly," replied young Jolyon. "The great majority of architects,
painters, or writers have no principles, like any other Forsytes. Art,
literature, religion, survive by virtue of the few cranks who really
believe in such things, and the many Forsytes who make a commercial use
of them. At a low estimate, three-fourths of our Royal Academicians are
Forsytes, seven-eighths of our novelists, a large proportion of the
press. Of science I can't speak; they are magnificently represented in
religion; in the House of Commons perhaps more numerous than anywhere;
the aristocracy speaks for itself. But I'm not laughing. It is
dangerous to go against the majority and what a majority!" He fixed his
eyes on Bosinney: "It's dangerous to let anything carry you away--a
house, a picture, a--woman!"
They looked at each other.--And, as though he had done that which no
Forsyte did--given himself away, young Jolyon drew into his shell.
Bosinney broke the silence.
"Why do you take your own people as the type?" said he.
Public-domain text, read in full here on John Shaqi.
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