Complete Project Gutenberg John Galsworthy WorksGalsworthy, John
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Complete Project Gutenberg John Galsworthy Works
Galsworthy, John
English literature -- 20th century; Literature -- Collections
She had married off her three daughters in a way that people said was
beyond their deserts, for they had the professional plainness only to be
found, as a rule, among the female kind of the more legal callings. Her
name was upon the committees of numberless charities connected with the
Church-dances, theatricals, or bazaars--and she never lent her name
unless sure beforehand that everything had been thoroughly organized.
She believed, as she often said, in putting things on a commercial basis;
the proper function of the Church, of charity, indeed, of everything, was
to strengthen the fabric of 'Society.' Individual action, therefore, she
considered immoral. Organization was the only thing, for by organization
alone could you feel sure that you were getting a return for your money.
Organization--and again, organization! And there is no doubt that she
was what old Jolyon called her--"a 'dab' at that"--he went further, he
called her "a humbug."
The enterprises to which she lent her name were organized so admirably
that by the time the takings were handed over, they were indeed skim milk
divested of all cream of human kindness. But as she often justly
remarked, sentiment was to be deprecated. She was, in fact, a little
academic.
This great and good woman, so highly thought of in ecclesiastical
circles, was one of the principal priestesses in the temple of
Forsyteism, keeping alive day and night a sacred flame to the God of
Property, whose altar is inscribed with those inspiring words: 'Nothing
for nothing, and really remarkably little for sixpence.'
When she entered a room it was felt that something substantial had come
in, which was probably the reason of her popularity as a patroness.
People liked something substantial when they had paid money for it; and
they would look at her--surrounded by her staff in charity ballrooms,
with her high nose and her broad, square figure, attired in an uniform
covered with sequins--as though she were a general.
The only thing against her was that she had not a double name. She was a
power in upper middle-class society, with its hundred sets and circles,
all intersecting on the common battlefield of charity functions, and on
that battlefield brushing skirts so pleasantly with the skirts of Society
with the capital 'S.' She was a power in society with the smaller 's,'
that larger, more significant, and more powerful body, where the
commercially Christian institutions, maxims, and 'principle,' which Mrs.
Baynes embodied, were real life-blood, circulating freely, real business
currency, not merely the sterilized imitation that flowed in the veins of
smaller Society with the larger 'S.' People who knew her felt her to be
sound--a sound woman, who never gave herself away, nor anything else, if
she could possibly help it.
Public-domain text, read in full here on John Shaqi.
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